Nina Live! - Critical Reception

Critical Reception

Professional ratings
Review scores
Source Rating
ShowbizPinoy.com (favorable)
Titik Pilipino

Aside from impressive huge sales and three number one singles in it, Nina Live! was also well received by music critics, earning favorable reviews. Ginnie Faustino-Galgana of Titik Pilipino gave the album three and a half out of five stars, praising the Soul Siren's vocal ability and skills, and stated that "'s vocal range is decidedly wide. Her voice itself has proven itself youthful and adaptable to any beat By virtue of the familiarity with the covered songs, as well as Nina's talent, it is no wonder that this album has been churning one hit after another Overall, this album only proves that Nina can do wonderfully with covers." However, she thought that Nina can do better with originals, saying "I believe Nina has enough talent to establish herself with her own sound. If she can be in a tandem with a composer who can write songs for her, I'm sure Nina will do it justice and churn out hits." She ended her statement by saying that the live experience from the album is "quite memorable."

At the height of the album's success, it has been a huge influence and reference to a series of live albums that were later released by different artists. Such albums that followed Nina Live! were Freestyle's Live @ 19 East (2006), Sitti's Sitti Live! (2006), Christian Bautista's Just a Love Song... Christian Bautista Live! (2007), Rachelle Ann Go's Rachelle Ann Rocks Live! (2008) and Aiza Seguerra's Live! (2009).

In 2012, Mariah Carey tweeted about the album saying that it was the best Filipino album by a female artist she has ever listened to.

Read more about this topic:  Nina Live!

Famous quotes containing the words critical and/or reception:

    The critical spirit never knows when to stop meddling.
    Mason Cooley (b. 1927)

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)