Nikolai Shin - Documentary

Documentary

Sky-Blue Hometown
Hangul 하늘색 고향
Hanja 하늘色 古鄉
Revised Romanization Haneulsaek Gohyang
McCune–Reischauer Hanŭlsaek Kohyang

In 2001, Shin's life story was made into a documentary film Sky-Blue Hometown, directed by Kim So-young. Kim stated that she was inspired to tell Shin's story after seeing Requiem displayed at the National Museum of Contemporary Art and reading articles in the domestic press about Koreans in Uzbekistan. Through the film, she hoped "to convey the earnest wishes and lost dreams of the victims, rather than render a bleak ambiance of the hurt and resentment endured by Koreans as a minority race in the former Soviet Union and Central Asia at the present time." After completing the film, she was disappointed by the initial lack of domestic interest; though it won grand prize at the Seoul International Documentary and Film Festival and was honoured as the best Korean documentary at the Pusan International Film Festival, local distributors remained uninterested in the film. Sky-Blue Hometown would go on to be invited to several international film festivals in 2001, including the Asian American International Film Festival in New York, the Yamagata International Documentary Film Festival in Japan, the International Documentary Film Festival Amsterdam, and the International Festival of Audio-visual Programs in Paris. In November of the following year, it won the Network for the Promotion of Asian Cinema prize at the Taiwan International Documentary Festival. However, it was not shown in cinemas in Korea until 2003.

Read more about this topic:  Nikolai Shin

Famous quotes containing the word documentary:

    What is a novel if not a conviction of our fellow-men’s existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history?
    Joseph Conrad (1857–1924)

    If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.
    Salman Rushdie (b. 1948)