Background
In late 1993, Sascha Konietzko and fellow multi-instrumentalist En Esch both left Chicago, moving to Seattle and New Orleans, respectively. Lead guitarist Günter Schulz left the country, moving to Kelowna, British Columbia. In early 1994, Konietzko started working on new material, and Schulz came to Seattle to begin adding guitars to the tracks. Later that year, the group assembled in Los Angeles to rehearse for the upcoming Angstfest tour in support of Angst, which spanned April and May. Konietzko, Schulz, Esch, and guitarist Mark Durante were joined by another guitarist, Mike Jensen, for a live show that featured up to four guitarists playing at once. Konietzko and Schulz, along with Dutch singer Dorona Alberti, returned to Seattle to begin recording vocals for Nihil. Konietzko later said he was not happy with the sessions, explaining that nothing was coming together, and only two songs from the upcoming album, "Trust" and "Brute", had been completed to his satisfaction.
Former KMFDM member Raymond Watts, last seen contributing vocals, programming, and production to 1988's Don't Blow Your Top before starting his own band, Pig, called Konietzko and asked if he would be interested in working on a small musical collaboration. Konietzko agreed, and Watts flew to Seattle, where the pair, along with Schulz, worked on an EP entitled Sin Sex & Salvation. Konietzko said of the trio's working together, "It was the breath of fresh air I had been hoping and waiting for. This short project took my mind off the problems with the KMFDM album and gave me a welcome change of perspective." Watts then stayed on with the group to begin work on Nihil, which featured a core group of Konietzko, Schulz, Watts, and Esch, along with some input from steel guitar specialist Durante and drummer Bill Rieflin.
Read more about this topic: Nihil
Famous quotes containing the word background:
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)
“... every experience in life enriches one’s background and should teach valuable lessons.”
—Mary Barnett Gilson (1877–?)
“Pilate with his question “What is truth?” is gladly trotted out these days as an advocate of Christ, so as to arouse the suspicion that everything known and knowable is an illusion and to erect the cross upon that gruesome background of the impossibility of knowledge.”
—Friedrich Nietzsche (1844–1900)