Translation Style
In the prefaces to his translations, Perrot d’Ablancourt set out his principles of translation. He followed the somewhat contentious practice of Valentin Conrart, one of the founding fathers of the Académie française, of modifying or modernising expressions in the original text for reasons of style. While some authors praised the elegance and subtlety of Perrot d’Ablancourt’s translations, a disparaging remark by one of his contemporary critics gave rise to the expression « la belle infidèle ». The French scholar Gilles Ménage is reported to have compared the translation to a woman he had once loved, who was “beautiful, but unfaithful”. This expression was later picked up and popularised by other authors such as Huygens and Voltaire. Some of Perrot d’Ablancourt’s translations are still being edited, and the debate regarding the necessity of absolute fidelity to the source text when translating continues to this day.
Read more about this topic: Nicolas Perrot D'Ablancourt
Famous quotes containing the words translation and/or style:
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of ones own style and creatively adjust this to ones author.”
—Paul Goodman (19111972)
“To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human bodyboth go together, they cant be separated.”
—Jean-Luc Godard (b. 1930)