Life and Career As A Composer
Born at Tolentino, he grew up in Pesaro, and studied music there until his parents sent him to Rome to study law. Having no intention of becoming a lawyer, he took voice lessons and eventually studied counterpoint with Giuseppe Jannaconi, an important Roman composer. When Vaccai turned twenty one, he went to Naples and became a disciple of Paisiello, whose Barber of Seville was considered a comic masterpiece until Rossini's Barber swept it from the stage a few years later.
Vaccai launched his career in Venice, initially earning his living by writing ballets and teaching voice. He had his first operatic success with I solitari di Scozia in Naples in 1815. In Parma he was commissioned to write Pietro il grande, where he was also one of the soloists in the first performance. This was followed by Zadig e Astartea (Naples, 1825) and then his best known opera Giulietta e Romeo (Milan, 1825).
Vaccai's sojourn in London began with a production of his most successful opera, Romeo and Juliet, at Kings Theatre in April, 1832. His charm and continental reputation ingratiated him to society and soon he was much sought after as a teacher.
Ending his wanderings with a return to Italy, Vaccai became a director and professor of composition at the Milan Conservatory in 1838. After six years he retired on account of poor health to his boyhood home, Pesaro, where he wrote his sixteenth opera. He died there in 1848.
Read more about this topic: Nicola Vaccai
Famous quotes containing the words life and, life, career and/or composer:
“The sensation of seeing extremely fine women, with superb forms, perfectly unconscious of undress, and yet evidently aware of their beauty and dignity, is worth a week’s seasickness to experience.... To me the effect [of a Siva dance] was that of a dozen Rembrandts intensified into the most glowing beauty of life and motion.”
—Henry Brooks Adams (1838–1918)
“In short, no association or alliance can be happy or stable without me. People can’t long tolerate a ruler, nor can a master his servant, a maid her mistress, a teacher his pupil, a friend his friend nor a wife her husband, a landlord his tenant, a soldier his comrade nor a party-goer his companion, unless they sometimes have illusions about each other, make use of flattery, and have the sense to turn a blind eye and sweeten life for themselves with the honey of folly.”
—Desiderius Erasmus (c. 1466–1536)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)
“A nation creates music—the composer only arranges it.”
—Mikhail Glinka (1804–1857)