Works
Nicola Samale composed chamber, orchestral and vocal music as well as five operas. He worked both for pop music and classical music, for example he conducted the R.C.A Orchestra for the Italian singer Renato Zero in the LP No, mamma, no! in 1973. In collaboration with the composer Giuseppe Mazzuca he also wrote numerous works, including some film soundtracks, and in particular the first version of the Ricostruzione of the unfinished Finale of Bruckner's Ninth Symphony (First performance: Radio-Sinfonie-Orchester Berlin, Peter Gülke, 1986; first CD release: Radiosinfonieorchester Frankfurt, Eliahu Inbal, Teldec, 1986). This Performing Version, further developed in collaboration with John A. Phillips and Benjamin-Gunnar Cohrs (1986–2011) made him known to a larger audience. Also of particular interest is his completion of an unfinished orchestral arrangement of Liszt's Hexaméron (Variations on the march from I Puritani of Vincenzo Bellini; first performance: 2001, Catania, Orchestra Teatro M. V. Bellini, Donato Renzetti), his completed performing version of Mahler's Tenth Symphony (with Giuseppe Mazzuca; first performance: 2001, Perugia, Vienna Symphony Orchestra, Martin Sieghart) as well as his completion of the Scherzo from the Unfinished Symphony by Schubert (1988; first performance: 1988, Bari, Orchestra Sinfonica di Bari, Nicola Samale; revised version 2004 with Benjamin-Gunnar Cohrs; first performance: 2004, Sarajevo, Sarajevo Symphony Orchestra, Benjamin-Gunnar Cohrs). His composition Miracolo a Milano recently played an important role in the German movie Drei by Tom Tykwer (Germany, 2010).
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Famous quotes containing the word works:
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (1817–1862)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)