Nicky Silver - Career

Career

As a teen, Silver attended Stagedoor Manor Performing Arts Training Center in upstate New York. He graduated from the New York University (NYU) Tisch School of the Arts. Many of his early plays were originally produced off-off-Broadway at the Vortex Theatre in New York. Later, his plays premiered at Off-Broadway venues such as the Vineyard Theatre and Playwrights Horizons. Silver noted: "My first real break came when the artistic director of the Woolly Mammoth Theatre in Washington, D.C. happened to walk in and saw, 'Fat Man in Skirts.'" Several of his plays received premieres at the Woolly Mammoth Theatre Company in Washington, DC, including Fat Men in Skirts (1991), Free Will and Wanton Lust (January 1993) and The Food Chain (1993-94 season). In her review of Fat Men in Skirts at Woolly Mammoth Theatre for The Washington Post, Lloyd Rose wrote: "Silver is a modern American absurdist in the tradition of John Guare or Harry Kondoleon, but more of a lowbrow. His go-for-the-laugh instincts are as naked as any sitcom writer's. The dizzying, rather wonderful thing about "Fat Men in Skirts" is that such a shallow technique is made to serve such a deep and anguished vision. Silver never met a pain he couldn't laugh at."

Prerodactyls was produced at the Vineyard Theatre in October 1993. Ben Brantley wrote in his New York Times review: "His grimly witty play 'Pterodactyls' recycles all the cliches of the unraveling all-American family and scales them up to the point that they become poignantly grotesque symbols of a species on the verge of extinction... staged with firecracker snap by David Warren and illuminated by several incandescent performances, 'Pterodactyls' offers, for its first three-quarters, as much antic fizz as any comedy in town." Pterodactyls gained additional recognition in the media because the play was produced with large dinosaurs by sculptor Jim Gary in its sets. Raised in Captivity was produced at the Vineyard Theater in March 1995. Ben Brantley wrote in his New York Times review: "The roads to alienation, as modern literature can testify, are many and varied. But they have seldom been mapped out with the fearless combination of comic artifice and heart-wrenching empathy that Mr. Silver brings to them. 'Raised in Captivity' is about guilt, redemption and self-punishment, and against all odds, it is also very funny."

His plays Pterodactyls and Raised in Captivity received back-to-back Drama Desk Award nominations for Outstanding Play in 1994 and 1995, respectively.

His play The Food Chain ran Off-Broadway at the Westside Theatre in August 1995 to June 1996, (initially produced at the Woolly Mammoth Theatre) with direction by Robert Falls and a cast that featured Hope Davis and Phyllis Newman. Ben Brantley in his New York Times review wrote: "In 'The Food Chain,' Nicky Silver's toxic, fractured tale of sex, loneliness and the importance of being thin, the pursuit of love is an even more convoluted process than usual. It's hard, after all, to forge a relationship when all you can really hear is the sound of your own voice. For the poisonously funny, image-obsessed Manhattanites in the play, all the world's a mirror. It's no accident that much of this breathless comedy of neuroses at the Westside Theater is made up of monologues, even though there are nearly always at least two people onstage." The play was nominated for the Outer Critics Circle Award as Outstanding Off-Broadway Play, and won the Obie Award, Performance for Tom McGowan.

Silver wrote the new book for the Broadway revival of the Rodgers and Hart musical, The Boys from Syracuse, produced by the Roundabout Theater Company in 2002.

His play, The Lyons, opened on Broadway in April 2012, after an Off-Broadway run at the Vineyard Theater in 2011. This is his first play to be produced on Broadway. The play stars Linda Lavin and Dick Latessa.

Read more about this topic:  Nicky Silver

Famous quotes containing the word career:

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)

    From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.
    Robert Benchley (1889–1945)