News From Babel - History

History

In the wake of English avant-rock group Henry Cow (1968–1978), Art Bears (1978–1981), a song-oriented group, were formed by three of Henry Cow's members, drummer Chris Cutler, multi-instrumentalist Fred Frith and singer Dagmar Krause. In Art Bears' wake, News from Babel emerged in 1983, comprising Cutler, Krause, Henry Cow woodwind player Lindsay Cooper, and United States harpist Zeena Parkins. It was Parkins's first "rock group" and the first time she had recorded with her harp. This new group followed the song-oriented approach of Art Bears, but with a different musical emphasis. Cooper composed the music and Cutler wrote the song texts.

News from Babel were purely a studio group, and its formation, name and first album were inspired by literary critic George Steiner's 1975 book on language and translation, After Babel. Commenting on the group, Cutler said: "I liked the idea of a record as a letter or a newscast from a doomed but hopeful place." In 1983 they recorded Work Resumed on the Tower, the title referring to the Tower of Babel, with guest vocalist Phil Minton. At the same time they also recorded "Contraries", a Parkins/Cutler composition released as a single with Work Resumed on the Tower subscription editions. In 1986 they made Letters Home, named after the title of one of Sylvia Plath's books. By this stage, Krause had left the group, but she still guested on the album, which also featured guest vocalists Robert Wyatt, Sally Potter and Phil Minton, plus guitarist Bill Gilonis from The Work, who also produced the album.

Cooper's music on both albums is a blend of rock, jazz and cabaret, while Cutler's lyrics are literate, exploring Marxist themes and personal alienation. The group disbanded in 1986 after recording their second album.

Read more about this topic:  News From Babel

Famous quotes containing the word history:

    The only thing worse than a liar is a liar that’s also a hypocrite!
    There are only two great currents in the history of mankind: the baseness which makes conservatives and the envy which makes revolutionaries.
    Edmond De Goncourt (1822–1896)

    Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?
    Alexander Herzen (1812–1870)

    One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set in. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.
    Jonathan Raban (b. 1942)