New Zealand - Culture

Culture

Main article: Culture of New Zealand

Early Māori adapted the tropically based east Polynesian culture in line with the challenges associated with a larger and more diverse environment, eventually developing their own distinctive culture. Social organisation was largely communal with families (whanau), sub-tribes (hapu) and tribes (iwi) ruled by a chief (rangatira) whose position was subject to the community's approval. The British and Irish immigrants brought aspects of their own culture to New Zealand and also influenced Māori culture, particularly with the introduction of Christianity. However, Māori still regard their allegiance to tribal groups as a vital part of their identity, and Māori kinship roles resemble those of other Polynesian peoples. More recently American, Australian, Asian and other European cultures have exerted influence on New Zealand. Non-Māori Polynesian cultures are also apparent, with Pasifika, the world's largest Polynesian festival, now an annual event in Auckland.

The largely rural life in early New Zealand led to the image of New Zealanders being rugged, industrious problem solvers. Modesty was expected and enforced through the "tall poppy syndrome", where high achievers received harsh criticism. At the time New Zealand was not known as an intellectual country. From the early 20th century until the late 1960s Māori culture was suppressed by the attempted assimilation of Māori into British New Zealanders. In the 1960s, as higher education became more available and cities expanded urban culture began to dominate. Even though the majority of the population now lives in cities, much of New Zealand's art, literature, film and humour has rural themes.

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Famous quotes containing the word culture:

    The time will come when the evil forms we have known can no more be organized. Man’s culture can spare nothing, wants all material. He is to convert all impediments into instruments, all enemies into power.
    Ralph Waldo Emerson (1803–1882)

    ... there are some who, believing that all is for the best in the best of possible worlds, and that to-morrow is necessarily better than to-day, may think that if culture is a good thing we shall infallibly be found to have more of it that we had a generation since; and that if we can be shown not to have more of it, it can be shown not to be worth seeking.
    Katharine Fullerton Gerould (1879–1944)

    I’ve finally figured out why soap operas are, and logically should be, so popular with generations of housebound women. They are the only place in our culture where grown-up men take seriously all the things that grown-up women have to deal with all day long.
    Gloria Steinem (b. 1934)