New Zealand - Culture

Culture

Main article: Culture of New Zealand

Early Māori adapted the tropically based east Polynesian culture in line with the challenges associated with a larger and more diverse environment, eventually developing their own distinctive culture. Social organisation was largely communal with families (whanau), sub-tribes (hapu) and tribes (iwi) ruled by a chief (rangatira) whose position was subject to the community's approval. The British and Irish immigrants brought aspects of their own culture to New Zealand and also influenced Māori culture, particularly with the introduction of Christianity. However, Māori still regard their allegiance to tribal groups as a vital part of their identity, and Māori kinship roles resemble those of other Polynesian peoples. More recently American, Australian, Asian and other European cultures have exerted influence on New Zealand. Non-Māori Polynesian cultures are also apparent, with Pasifika, the world's largest Polynesian festival, now an annual event in Auckland.

The largely rural life in early New Zealand led to the image of New Zealanders being rugged, industrious problem solvers. Modesty was expected and enforced through the "tall poppy syndrome", where high achievers received harsh criticism. At the time New Zealand was not known as an intellectual country. From the early 20th century until the late 1960s Māori culture was suppressed by the attempted assimilation of Māori into British New Zealanders. In the 1960s, as higher education became more available and cities expanded urban culture began to dominate. Even though the majority of the population now lives in cities, much of New Zealand's art, literature, film and humour has rural themes.

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Famous quotes containing the word culture:

    Insolent youth rides, now, in the whirlwind. For those modern iconoclasts who are without culture possess, apparently, all the courage.
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    A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.
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