Fight and Theme Songs
The official fight song for the Yankees is "Here Come the Yankees", written in 1967 by Bob Bundin and Lou Stallman. While it is not used as often, it is still heard frequently in instrumental form, most prominently in radio broadcasts. Another song strongly linked to the team is "New York, New York", which is played in the stadium after home games. The Frank Sinatra cover version is traditionally played after victories, and the Liza Minnelli original version after losses. When the Yankees take the field before the start of every game, 2 Unlimited's "Get Ready For This" is played, with the fans usually clapping along. When the Yankees score a run at home, a short snippet of 2 Unlimited's "Workaholic" containing the bell chime of Westminster Quarters is played.
A wide selection of songs are played regularly at the stadium, many of them live on the Stadium's Hammond organ. "God Bless America" has been played during the 7th inning stretch since September 11. The version typically played is an abbreviated version of Kate Smith's rendition. However, during many important games (including most play-off games) and on noteworthy days, it is sung live a Capella and includes a longer introduction. During the 5th inning, the grounds-crew, while performing their duties, dances to "Y.M.C.A". "Cotton-Eyed Joe", once played during the 7th inning stretch, is now played in the 8th inning. On the DiamondVision screen, a man in farmer's garb is shown dancing in the stadium's control room, with the words "Cotton-Eyed Joey" at the bottom. The organist will sometimes play the "Zorba the Greek Theme", accompanied by clapping from the audience, to excite the crowd and encourage a rally.
Read more about this topic: New York Yankees Roster
Famous quotes containing the words fight, theme and/or songs:
“No, when the fight begins within himself,
A man’s worth something.”
—Robert Browning (1812–1889)
“... passion for survival is the great theme of women’s poetry.”
—Adrienne Rich (b. 1929)
“When we were at school we were taught to sing the songs of the Europeans. How many of us were taught the songs of the Wanyamwezi or of the Wahehe? Many of us have learnt to dance the rumba, or the cha cha, to rock and roll and to twist and even to dance the waltz and foxtrot. But how many of us can dance, or have even heard of the gombe sugu, the mangala, nyang’umumi, kiduo, or lele mama?”
—Julius K. Nyerere (b. 1922)