New York State Summer School Of The Arts
The New York State Summer School of the Arts (NYSSSA) is a series of summer residential programs for New York State high school students. It provides intensive pre-professional training with internationally acclaimed artists and artistic companies. It is open to all New York State high school age students who qualify through audition. Seven component schools offer training in the specific disciplines of ballet, choral studies, dance, media arts, orchestral studies, theatre and visual arts.
Read more about New York State Summer School Of The Arts: History, Application, Notable Alumni, See Also
Famous quotes containing the words york, state, summer, school and/or arts:
“I know of no one so patient and determined to have the good of you. It is almost friendship, such plain and human dealing.... He has naturalized and humanized New York for me.”
—Henry David Thoreau (1817–1862)
“The truth is, the whole administration under Roosevelt was demoralized by the system of dealing directly with subordinates. It was obviated in the State Department and the War Department under [Secretary of State Elihu] Root and me [Taft was the Secretary of War], because we simply ignored the interference and went on as we chose.... The subordinates gained nothing by his assumption of authority, but it was not so in the other departments.”
—William Howard Taft (1857–1930)
“O, white pear,
your flower-tufts
thick on the branch
bring summer and ripe fruits
in their purple hearts.”
—Hilda Doolittle (1886–1961)
“Nevertheless, no school can work well for children if parents and teachers do not act in partnership on behalf of the children’s best interests. Parents have every right to understand what is happening to their children at school, and teachers have the responsibility to share that information without prejudicial judgment.... Such communication, which can only be in a child’s interest, is not possible without mutual trust between parent and teacher.”
—Dorothy H. Cohen (20th century)
“I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.”
—Anna Quindlen (b. 1952)