Promotional Music Videos
Devo made three music videos for the album. "Through Being Cool" had Devo taking a limited role, focusing on a team of kids clad in Devo "Action Vests" attacking arrogant and ignorant people with spudguns.
In "Love Without Anger," Devo acts as a Greek chorus to a bizarre love story between two humanoid chickens. It also features a stop motion video by Rev. Ivan Stang (Church of the SubGenius) of Barbie and Ken fighting each other and removing each others' body parts. A portrait of J. R. "Bob" Dobbs is on the wall above the couch.
"Beautiful World" is considered by many fans and critics to be Devo's greatest music video, setting the tune to a series of connected images from film archives. The video features Booji Boy prominently, as he initially watches scenes of beautiful women, futuristic cars, and other happy elements, which by the end of the song have been replaced by images of race riots, the Ku Klux Klan, World War I, famine in Africa, car crashes and nuclear explosions, which puts a much darker slant on the song's lyrics. The video was slightly censored for broadcasts on the ABC-TV music show Countdown. A small segment of archive footage depicting a woman on fire was considered unsuitable for the show's early evening timeslot—despite the fact that the 'flames' were animated, not real—and this censored version is still screened occasionally on the ABC's music video series Rage, including a mid-1990s episode hosted by Devo.
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Famous quotes containing the words music and/or videos:
“The dignity of art probably appears most eminently with music since it does not have any material that needs to be discounted. Music is all form and content and elevates and ennobles everything that it expresses.”
—Johann Wolfgang Von Goethe (1749–1832)
“Ambivalence reaches the level of schizophrenia in our treatment of violence among the young. Parents do not encourage violence, but neither do they take up arms against the industries which encourage it. Parents hide their eyes from the books and comics, slasher films, videos and lyrics which form the texture of an adolescent culture. While all successful societies have inhibited instinct, ours encourages it. Or at least we profess ourselves powerless to interfere with it.”
—C. John Sommerville (20th century)