New Orleans in Fiction - Film

Film

  • 12 Rounds
  • Abbott and Costello Go to Mars
  • Albino Alligator
  • All Dogs Go to Heaven
  • A Love Song for Bobby Long
  • Angel Heart
  • Bad Lieutenant: Port of Call New Orleans
  • Belle of the Nineties
  • The Big Easy
  • Blaze
  • The Buccaneer (1938) and The Buccaneer (1958)
  • Candyman 2: Farewell to the Flesh
  • Cat People
  • The Cincinnati Kid
  • Città violenta
  • The Client
  • The Curious Case of Benjamin Button
  • Déjà Vu
  • Double Jeopardy
  • Down by Law
  • Dracula 2000
  • The Drowning Pool
  • Easy Rider
  • Father Hood
  • The Flame of New Orleans
  • Hard Target
  • Hard Times
  • Hatchet
  • Hatchet II
  • The Haunted Mansion
  • Hurricane Season
  • Interview with the Vampire
  • Jezebel
  • JFK
  • Johnny Handsome
  • King Creole
  • Lady from Louisiana
  • Last Holiday
  • Let's Do It Again
  • Live and Let Die
  • A Murder of Crows
  • New Orleans
  • No Mercy
  • Number One
  • Obsession
  • Panic in the Streets
  • The Pelican Brief
  • Point Of No Return
  • Pretty Baby
  • The Princess and the Frog
  • Ruby Bridges
  • Runaway Jury
  • The Skeleton Key
  • "Sonny"
  • A Streetcar Named Desire (1951, 1984, 1995)
  • Streets of Blood
  • Tightrope
  • The Toast of New Orleans
  • Toys in the Attic
  • Tune In Tomorrow
  • Undercover Blues
  • Walk on the Wild Side
  • When the Levees Broke: A Requiem in Four Acts
  • Wild at Heart
  • WUSA
  • X-Men Origins: Wolverine
  • Zandalee

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Famous quotes containing the word film:

    “I’ll be right here.”
    —Melissa Mathison, U.S. screenwriter, and Steven Spielberg. ET, ET The Extra-Terrestrial, saying goodbye to Elliot as he touches Elliot’s forehead—ET’s final words in the film (1982)

    “Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
    —David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    “All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
    —Doris Lessing (b. 1919)