New Historicism - Criticism

Criticism

See also: School of Resentment

New historicism has suffered from criticism, most particularly from the clashing views of those considered to be postmodernists. New Historicism denies the claim that society has entered a "post-modern" or "post-historical" phase and allegedly ignited the 'culture wars' of the 1980s (Seaton, 2000). The main points of this argument are that new historicism, unlike post-modernism, acknowledges that almost all historic views, accounts, and facts they use contain biases which derive from the position of that view. As Carl Rapp states: " often appear to be saying, 'We are the only ones who are willing to admit that all knowledge is contaminated, including even our own'".

Camile Paglia likewise cites "the New Historicism coming out of Berkeley" as an "issue where the PC academy thinks it's going to reform the old bad path, I have been there before they have been, and I'm there to punish and expose and to say what they are doing...a piece of crap." Elsewhere, Paglia has suggested that New Historicism is "a refuge for English majors without critical talent or broad learning in history or political science. To practice it, you must apparently lack all historical sense."

Harold Bloom criticizes the New Historicism for reducing literature to a footnote of history, and for not paying attention to the details involved in analyzing literature.

Read more about this topic:  New Historicism

Famous quotes containing the word criticism:

    In criticism I will be bold, and as sternly, absolutely just with friend and foe. From this purpose nothing shall turn me.
    Edgar Allan Poe (1809–1845)

    I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.
    Ernest Hemingway (1899–1961)

    As far as criticism is concerned, we don’t resent that unless it is absolutely biased, as it is in most cases.
    John Vorster (1915–1983)