New Wave of French Horror
Some films considered as part of the New French Extremity rework elements of the horror genre. Other contemporary French horror films with a similar sensibility include Sheitan, Ils, Haute Tension, Frontier(s) and À l'interieur. The Belgian film Calvaire has also been associated with this trend.
Pascal Laugier, director of the controversial horror film Martyrs, disagrees with the idea of there being a horror revival in France:
| “ | The fact is that we are much more successful in foreign countries and in our homeland it's always the same stuff where you're never a prophet..What I mean is that even the horror fans, the French ones, they are very condescending about French horror films. It's still a hell to find the money, a hell to convince people that we are legitimate to make this kind of movie in France. So I know from an American point of view and probably an English one too, there is a kind of new wave of modern horror film, but it's not true. It's still hell. My country produces almost 200 films a year and there are like 2 or 3 horror films. It's not even an industry, French horror cinema is very low budget, it's kinda prototype. I think that a genre really exists when it's industrially produced like the Italians did 600 spaghetti westerns. So we can't really say that there is a wave of horror in French Cinema, I don't believe it. | ” |
Laugier does, however, acknowledge the existence of a broader wave of new European horror. He notes Spain, France, England and Sweden as contributors.
Read more about this topic: New French Extremity
Famous quotes containing the words wave, french and/or horror:
“Great Powers of falling wave and wind and windy fire,
With your harmonious choir
Encircle her I love and sing her into peace,
That my old care may cease....”
—William Butler Yeats (1865–1939)
“But as some silly young men returning from France affect a broken English, to be thought perfect in the French language; so his Lordship, I think, to seem a perfect understander of the unintelligible language of the Schoolmen, pretends an ignorance of his mother-tongue. He talks here of command and counsel as if he were no Englishman, nor knew any difference between their significations.”
—Thomas Hobbes (1579–1688)
“Adder-faced singularity
Espouses a nailed-up childhood,
Skin-disease pardons
Soft horror of living,
A gabble is forgiven
By chronic solitude.”
—Philip Larkin (1922–1986)