New England String Ensemble - History

History

The New England String Ensemble began its inaugural concert season in 1994 under the guidance of founding music director, Christophe Chagnard, a native of Paris and resident of Seattle, who commuted to Boston for four years to help build the orchestra. Mr. Chagnard is also co-founder and music director of Seattle’s award-winning Northwest Sinfonietta.

The inaugural performance, A Musical Journey into Night, in September 1994 at Endicott College in Beverly, Massachusetts received international attention, including pieces in the New York Times and newspapers in Seattle, Paris and Tel Aviv as well as a feature by Paul Harvey, for its life-imitating-art triumph over a thunderstorm-induced power failure.

In its fifth season, the 1998–99 season, the New England String Ensemble featured four finalists in its search for a local music director from which vocalist and conductor, Susan Davenny Wyner, was chosen to lead the orchestra into its sixth season, 1999–2000. That sixth season also featured a move into Cambridge, Massachusetts, with a series at the First Church Congregational at the invitation of keyboard artist Peter Sykes. A gradual migration into the Sanders Theatre at Harvard University and then to the Jordan Hall at the New England Conservatory in Boston completed the progression.

Under the direction of Ms. Wyner, the artistic success of the New England String Ensemble was evidenced locally by growing audiences, high critical acclaim, and performance invitations, such as an invitation to the Bank of America Celebrity Series in 2004–05. National recognition included a Koussevitzky commission, one of seven in the United State awarded in 2003–04. Ms. Wyner resigned her position in April 2005 to pursue opera.

In July 2005, Federico Cortese was engaged as conductor for the 2005–06 season and named music director in 2006. From the moment of his debut as assistant conductor of the Boston Symphony Orchestra in 1998, stepping in at short notice to conduct Beethoven Symphony No. 9 in place of an ailing Seiji Ozawa, Cortese’s work with the Boston Symphony Orchestra was widely praised. His other appointments include music director and associate conductor of the Spoleto Festival in Italy; assistant conductor to Daniele Gatti at the Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome; and assistant conductor to Robert Spano at the Brooklyn Philharmonic. Additionally, he has served as music director of the Greater Boston Youth Symphony Orchestras since 1999.