Nepenthes Longifolia - Notes

Notes

a.^ Meijer explored the forest of the Tjampo region between August 20 and August 28. He collected N. longifolia on August 24 together with the type material of N. adnata and N. tenuis.
b.^ The original Latin description of N. longifolia reads:

Folia mediocria, lamina oblongavel lanceolata, nervis longitudionalibus utrinque 3-4, basi in alas 2 decurrente ; Ascidia rosularum mediocria, parte inferiore ventricosa os versus cylindrica, ails 2 fimbriatis; ascidia facie ventrali sub peristomio elevata quomodo peristomio inter alis distinctissime undulato, operculum versus acuminato et elevato, ad 6 mm lato, costis 0,2 mm distantibus, dentibus 0. Operculo orbiculari, facie inferiore plano. Ascidia superioria magna, e parte inferiore anguste infundibuliformi tubulosa, costis 2 prominentibus, ascidia facie ventrali sub peristomio elevata quomodo peristomio inter alis distinctissime undulato, operculum versus acuminato et elevato, ad 6 mm lato, costis 0,2 mm distantibus, dentibus 0. Operculo orbiculari, facie inferiore piano. Inflorescentia racemus, pedicellis 1-1,2 cm longis, omnibus 2-floris. Indumentum parcum breve patens.

c.^ The upper altitudinal limit of N. longifolia is given as 1200 m in a comparison table on page 158 of Nepenthes of Sumatra and Peninsular Malaysia, but appears as 1100 m elsewhere in the book, and this latter value is the one included in subsequent works on the genus.

Read more about this topic:  Nepenthes Longifolia

Famous quotes containing the word notes:

    Poetry is either something that lives like fire inside you—like music to the musician or Marxism to the Communist—or else it is nothing, an empty formalized bore around which pedants can endlessly drone their notes and explanations.
    F. Scott Fitzgerald (1896–1940)

    My notes have a curious tendency, as I realize at last, to annihilate all they purport to record.
    Samuel Beckett (1906–1989)

    The drama critic on your paper said my chablis-tinted hair was like a soft halo over wide set, inviting eyes, and my mouth, my mouth was a lush tunnel through which golden notes came.
    Samuel Fuller (b. 1911)