Neoplatonism and Gnosticism - Historical Relations Between Neoplatonism and Gnosticism

Historical Relations Between Neoplatonism and Gnosticism

There are four major epochs in the history of Platonic thought: the "Old Academy," the "New Academy," Middle Platonism and Neoplatonism. After Plato's death in 348 BC, the leadership of his Academy was taken up by his nephew, Speusippus, and then by Xenocrates, Polemon, Crantor, and Crates of Athens, who had been leaders of the "Old Academy." Following Crates, in 268 BC was Arcesilaus of Pitane who founded the "New Academy," under the influence of Pyrrhonian scepticism. Arcelisaus modeled his philosophy after the Socrates of Plato's early dialogues, "suspending judgment" or "epoche" (epokhê peri pantôn ἐποχὴ περὶ πάντων).

Antiochus of Ascalon, who headed the Academy from 79-78 BC, sought to intellectually maneuver around the scepticism of the New Academy by way of a return to the dogmata of Plato and the Old Academy philosophers. Antiochus argued that the Platonic Forms (see Platonic realism) are not transcendent but immanent to rational minds (including that of God). This position, along with his treatment of the Platonic Demiurge (from the Theaetetus) and the World-Soul (a notion from the Timaeus that the physical world was an animated being), framed the work of other middle Platonists (such as Philo of Alexandria) and later Platonists such as Plutarch of Chaeronea, Numenius of Apamea, and Albinus. These treatments of the forms and of the Demiurge were crucially influential to both Neoplatonism and Gnosticism. Neopythagoreanism seems to have influenced both the Neoplatonists and the Gnostics as well. Further, Neopythagoreanism and Middle Platonism seem to be important influences on Basilides and on the Hermetic tradition, which seem in turn to have influenced the Valentinians. Indeed, the Nag Hammadi texts included excerpts from Plato, and Irenaeus claims that followers of Carpocrates honored images of Pythagoras, Plato, and Aristotle along with images of Jesus Christ.

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