Film and Television Work
In 2004, George made a short film called To Be a Black Man, starring Samuel L. Jackson, and a documentary called A Great Day in Hip-Hop. Both titles appeared in festivals in New York, London, and Amsterdam. He executive-produced the HBO film Everyday People which also debuted in 2004 at the Sundance Film Festival.
Currently he is serving as co-executive producer of VH1's Hip Hop Honors television show and executive producer of Black Entertainment Television's American Gangster series, which was the highest rated series in the history of BET in 2006. His directorial debut, Life Support, starring Queen Latifah, aired on HBO on March 10, 2007. Latifah won several awards for her performance as Ana Wallace, including a Golden Globe, Screen Actors Guild award, and the NAACP Image Award. Life Support was also named best TV film of the year by the NAACP. He also currently hosts the VH-1 series "Soul Cities", which examines the music and culture of six prominent cities in the U.S.
A resident of Fort Greene, Brooklyn for over 25 years, George wrote, narrated, and co-directed with Diane Paragas the 2012 feature documentary, Brooklyn Boheme, portraying the uniquely vibrant and diverse African American artistic community of Fort Greene and Clinton Hill during the 1980′s and '90′s that included Spike Lee, Chris Rock, Branford Marsalis, Rosie Perez, Saul Williams, Lorna Simpson, Erykah Badu, and Talib Kweli, among many others. Unlike the legendary Harlem Renaissance of the 1920s, which was largely a literary scene, the artists collected in these neighborhoods were as involved with newer means of expression (film, rock music, hip hop, avante garde theater, stand up comedy, photography) as with traditional African-American artistic pursuits (poetry, jazz.) The film premiered on Showtime Networks in February 2012 for Black History Month.
Read more about this topic: Nelson George
Famous quotes containing the words film, television and/or work:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“Addison DeWitt: Your next move, it seems to me, should be toward television.
Miss Caswell: Tell me this. Do they have auditions for television?
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“Life is indeed darkness save when there is urge,
And all urge is blind save when there is knowledge,
And all knowledge is vain save when there is work,
And all work is empty save when there is love.”
—Kahlil Gibran (1883–1931)