Biography
Hooper began his career as a DJ and as a member of the Wild Bunch, the Bristol-based group that would turn into Massive Attack.
Between 1989 and 1992 he produced the debut albums for Soul II Soul (Club Classics Vol. I), Massive Attack (Blue Lines) and Björk (Debut), which in 1995 Mixmag magazine ranked the 31st, 1st and 3rd best dance albums of all time.
The 1995 BRIT Awards honored Hooper as Best Producer for his work on Massive Attack's Protection, Björk's Post and Madonna's Bedtime Stories albums.
In 1998 he won a BAFTA Award (Anthony Asquith Award for Film Music) for his work arranging the score and soundtrack for Baz Luhrmann's Romeo + Juliet.
In the late 1990s Hooper set up the Meanwhile imprint, which is a subsidiary of Virgin Records.
Hooper continued to work steadily into the 2000s. He received a Grammy nomination in 2003 for his work on No Doubt's Rock Steady and Lamya's Learning From Falling albums. His other work has included producing the singles "GoldenEye" (1995) for Tina Turner, "Under the Bridge" (1998) for All Saints and "Down Boy" (2002) for Holly Valance, as well as providing remixes for artists like Janet Jackson and Sade.
Most recently he has worked with Gwen Stefani on her solo albums and on U2's 2004 release How to Dismantle an Atomic Bomb, for which he won a Grammy Award. He also produced the debut solo album of Andrea Corr of The Corrs, entitled Ten Feet High which was released on June 25, 2007.
Hooper produced the full-length debut album for Disney actress/singer Emily Osment, Fight Or Flight in 2010.
Read more about this topic: Nellee Hooper
Famous quotes containing the word biography:
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)
“The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.”
—Henry David Thoreau (1817–1862)