National Theatre Mannheim

The present National Theatre Mannheim (German: Nationaltheater Mannheim), which dates from 1957, is a theatre and opera company in Mannheim, Germany, with a variety of performance spaces. It is notable for being the oldest local theatre in Germany, having celebrated its 225th anniversary on 7 October 2004.

The idea of first building the original National Theatre developed after the suggestion of Elector Palatine Carl Theodor. The first theatre opened in 1779. In the past three hundred years, an important part of the history of German theatre and music history was written both in the original theatre and in Mannheim where new artistic styles were developed and refined in theatre, music and dance. Thus it reflects the tradition of many of the major names of the German arts such as Friedrich Schiller and Wolfgang Amadeus Mozart.

In terms of the history of the company, Friedrich Schiller's first major drama, The Robbers (Die Räuber) was given its inaugural performance in 1782 in presence of the playwright at the National Theatre. The response was overwhelming: "the theatre resembled a lunatic asylum, rolling eyes, clenched fists, ramming feet, hoarse proclamations in the auditorium! Strange humans fell onto each other locked together…."

Read more about National Theatre Mannheim:  Performance Venues, Theatre and Other Festivals, History Since 1900, Administration and Musical Performances in The 21st Century

Famous quotes containing the words national, theatre and/or mannheim:

    All men are lonely. But sometimes it seems to me that we Americans are the loneliest of all. Our hunger for foreign places and new ways has been with us almost like a national disease. Our literature is stamped with a quality of longing and unrest, and our writers have been great wanderers.
    Carson McCullers (1917–1967)

    Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
    John Berger (b. 1926)

    We went to Mannheim and attended a shivaree—otherwise an opera—the one called “Lohengrin.” The banging and slamming and booming and crashing were something beyond belief. The racking and pitiless pain of it remains stored up in my memory alongside the memory of the time that I had my teeth fixed.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)