Faculty
- Philip Meister - Artistic Director and Master Acting Teacher. Deceased.
- Mario Siletti - Head of Acting, Also headed faculty of Stella Adler Conservatory. Deceased.
- James Tripp - Master Acting Teacher, current Head of Acting and Master Teacher at the Stella Adler Studio of Acting.
- Peter Lobdell - Movement, Currently teaches at Amherst. Physical coach for the original Broadway productions of The Elephant Man and Equus.
- Lisa Jacobson - Movement, Acting. Currently teaches at AMDA.
- Robert Perillo - A Master Voice Coach in New York City and director with such companies as Jean Cocteau Repertory in New York City.
- Joan Evans - Movement, Currently teaches at the Stella Adler Studio of Acting and New York University.
- Casey Kizziah - Acting, voice and speech. Deceased.
- Angela Vitale - Voice and Speech, Currently teaches at the Stella Adler Studio of Acting.
- Sandra Cavanaugh - Voice and Speech and body Alignment, currently artistic director of New Heritage Theatre Company.
- Jane Armitage
- Eloise Watt - Shakespeare
- Fay Simpson - Movement
- Joseph Siravo - Voice and speech
- Gerard Rusak - Voice, Operatic vocalization
- Gregory Wolfe - The Sonnet Project(summer only)
- Mark Zeller - Voice and Speech
- Dana Zeller-Alexis - Acting
- Robert Blumenfeld - Dialects
Read more about this topic: National Shakespeare Conservatory
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“UG [universal grammar] may be regarded as a characterization of the genetically determined language faculty. One may think of this faculty as a ‘language acquisition device,’ an innate component of the human mind that yields a particular language through interaction with present experience, a device that converts experience into a system of knowledge attained: knowledge of one or another language.”
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“The spider-mind acquires a faculty of memory, and, with it, a singular skill of analysis and synthesis, taking apart and putting together in different relations the meshes of its trap. Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; but he had acute sensibility to the higher forces.”
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