National Museum of Serbia - Gallery

Gallery

  • Priest Pergament, 2300 BC, Ancient Egypt

  • Annunciation, by unknown Greek Master 1222

  • Angel by the Grave, by unknown Greek Master c. 1222 213cm x 120cm

  • Saint Astios and Saint Isauro, by unknown Greek Master 1260

  • Saint Paul, by Paolo Veneziano

  • Nativite, by Lorenzo Veneziano, (c. 1360)

  • Madonna with Christ on the Throne, by Paolo di Giovanni Fei (1390)

  • Holy Pilgrim and St. Sebastien by Vittore Carpaccio (1410)

  • Portrait of a man with the rosary, by Joos van Cleve (c. 1520)

  • Moving Christ from Cross,Caravaggio's painting copied and attributed to Mattia Preti

  • Portrait of Queen Christina of Denmark by Titian (1556)

  • Madonna and Child, by Tintoretto

  • thumb|right|Portrait of Spanish Nobleman, by Antonis Mor (c.1555)

  • Madre della Consolazione, by El Greco (1560)

  • Self Portrait, by Anthony van Dyck (c.1630)

  • The Music Lessons', by Frans van Mieris the Elder (c. 1650)

  • Piazza San Marco, Venice, Francesco Guardi, oil on canvas (1765)

  • Portrait of Karageorge by Vladimir Borovikovsky (1816)

  • Self Portrait, by Katarina Ivanovic (1836)

  • Wife Portrait, by Konstantin Danil c. (1840)

  • Bust man with soft hat, by Degas

  • Female Portrait, by Henri de Toulouse-Lautrec

  • Peasant Woman Standing Indoor, by Vincent van Gogh (1885)

  • Writer at his desk,by Vincent van Gogh

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Famous quotes containing the word gallery:

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)