List of Recipients
Indicates a joint award for that year |
List of award recipients, showing the year (award ceremony), song(s), film(s), language(s) and citation | ||||||
---|---|---|---|---|---|---|
Year | Lyricist(s) | Song(s) | Film(s) | Language(s) | Citation | |
1968 |
Kannadasan | – | Kuzhanthaikkaga | Tamil | – | |
1969 |
Kaifi Azmi | "Aandhi Aaye Ki Toofan" | Saat Hindustani | Hindi | – | |
1970 |
No Award | |||||
1971 |
||||||
1972 |
Vayalar Ramavarma | – | Achanum Bappayum | Malayalam | – | |
1973 |
No Award | |||||
1974 |
Sri Sri | – | Alluri Seetharamaraju | Telugu | – | |
1975 |
No Award | |||||
1976 |
||||||
1977 |
No Award | |||||
1978 |
No Award | |||||
1979 |
||||||
1980 |
No Award | |||||
1981 |
No Award | |||||
1982 |
No Award | |||||
1983 |
No Award | |||||
1984 |
Vasant Dev | – | Saaransh | Hindi | – | |
1985 |
Vairamuthu | – | Muthal Mariyathai | Tamil |
For imaginative use of folk images and form which blend with the pastoral and idyllic backdrop of the film. |
|
1986 |
No Award | |||||
1987 |
Gulzar | "Mera Kuchh Saamaan" | Ijaazat | Hindi |
For an extremely elegent lyric using subtle similies and metaphors to express attachment, desire and parting and finally to serve as a definition to love within the context of the film. |
|
1988 |
O. N. V. Kurup | – | Vaishali | Malayalam |
For the rare poetic heights reached in all lyrics in the film. |
|
1989 |
Satarupa Sanyal | – | Chhandaneer | Bengali |
For rare poetic heights reached in all the lyrics for the film. |
|
1990 |
Gulzar | – | Lekin... | Hindi |
For evoking beautiful imagery, created through lyrical poetry. |
|
1991 |
K. S. Narasimhaswamy | – | Mysooru Mallige | Kannada |
For the depth and poetic quality of the lyrics. |
|
1992 |
Vairamuthu | "Chinna Chinna Aasai" | Roja | Tamil |
For his charming, simple poem which has been become a new nursery rhyme on the lips of every child in Tamil Nadu. |
|
1993 |
Veturi Sundararama Murthy | "Raali Poye Puvva" | Mathru Devo Bhava | Telugu |
For his lyric, which demonstrates his poetic imagination, enriched by his deep experience of life and a consequential competence in using language with felicity. |
|
1994 |
Vairamuthu | • "Poralae Ponnuthayi" • "Uyirum Neeye" |
• Karuththamma • Pavithra |
Tamil |
Through their lyrics, he is able to bring to the fore his rich repertory of poetic expression which sensitively enhances the mood of the films. |
|
1995 |
Amit Khanna | "Kuch Is Tarah" | Bhairavi | Hindi |
The lyrics are meaningful, poetic and sensitively enhance the overall mood of the song sequence, thereby elevating the film. |
|
1996 |
Javed Akhtar | – | Saaz | Hindi |
For its poetic and traditional expression. |
|
1997 |
Javed Akhtar | – | Border | Hindi |
For its evocative wording that is imbued with compassion for our nation and for human beings at large. |
|
1998 |
Javed Akhtar | "Maati Re Maati Re" | Godmother | Hindi |
For the authentic blend of dialect and emotion. a song of patriotism and passion, the lyrics are lucid and thought provoking. |
|
1999 |
Vairamuthu | "Mudhal Murai Killipparthaein" | Sangamam | Tamil |
For the lyric "Mudhal Murai Killipparthaein" in the Tamil film Sangamam. In his own imitable style, the renowned poet has imparted a certain lyrical charm to the song. |
|
2000 |
Yusufali Kechery | "Gayam Hari Nama Dhayam" | Mazha | Malayalam |
For depicting the right mix of the ethos of our land in an invocation to lord Krishna. |
|
2000 |
Javed Akhtar | "Panchchhi Nadiyaan" | Refugee | Hindi |
For his inimitable style, speaks of transcending borders and countries, with beautifully written words for love and compassion. |
|
2001 |
Javed Akhtar | • "Ghanan Ghanan" • "Radha Kaise Na Jale" |
Lagaan | Hindi |
For using very simple language to bring out the richness of the Kutch locale. |
|
2002 |
Vairamuthu | – | Kannathil Muthamittal | Tamil |
For rising above the conventions of film songs to reach the realms of poetry. |
|
2003 |
Suddala Ashok Teja | "Nenu Saitham" | Tagore | Telugu |
For relating Sri Sri's poem to contemporary times in order to awaken the masses against social evils. |
|
2004 |
P. Vijay | "Ovvoru Pookalume" | Autograph | Tamil |
For or meaningful and powerful lyrics generating hope for a better future. |
|
2005 |
Barguru Ramchandrappa | "Baruthe Ve Nav Baruthe Ve" | Thaayi | Kannada |
For the lyric which heightened the effect of the entire film. |
|
2006 |
Swanand Kirkire | "Bande Me Tha Dum" | Lage Raho Munna Bhai | Hindi |
For rousing words that lyrically combine tradition with modernity to reach the masses. |
|
2007 |
Prasoon Joshi | – | Taare Zameen Par | Hindi |
For the soulful poetry that captures the trauma of a family beset with a rare problem of their little son who is happily saved by an understanding teacher. |
|
2008 |
• Anindya Chatterjee • Chandril Bhattacharya |
"Pherari Mon" | Antaheen | Bengali |
For its simple composition of verses to contribute meaningfully to the film. |
|
2009 |
Swanand Kirkire | "Behti Hawa Sa Tha Woh" | 3 Idiots | Hindi |
For the simplicity and depth of feelings conveyed through evocative imagery. |
|
2010 |
Vairamuthu | "Kallikkaattil Perandha Thaayae" | Thenmerku Paruvakaatru | Tamil |
For giving a meaningful expression to the narrative through contextual amplification of the emotion. |
|
2011 |
Amitabh Bhattacharya | "Agar Zindagi" | I Am | Hindi |
Through selective use of commonly used language, He evocatively conjures images that convey a young man's yearning for the bare minimum in the larger context of our social reality. At the same time, the song states a belief in the individual's ability to attain a sense of completeness in life. |
|
2012 |
Prasoon Joshi | "Bolo Naa" | Chittagong | Hindi |
Simple yet profound lines that provokes imagery of varied dimensions. |
Read more about this topic: National Film Award For Best Lyrics
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