Winners
Award includes 'Rajat Kamal' (Silver Lotus Award) and cash prize. Following are the award winners over the years:
Awards legends | |
---|---|
* | |
* | |
* | |
* |
List of award films, showing the year (award ceremony), producer(s), director(s) and citation | ||||
---|---|---|---|---|
Year | Film(s) | Producer(s) | Director(s) | Citation |
1960 |
Sri Lokenath | Rupa Raga Pvt Ltd. | Prafulla Kumar Sengupta | – |
1961 |
Nua Bou | Ram Krishna Tripathy | Prabhat Mukherjee | – |
1962 |
Surjyamukhi | Soumendra Misra | P. K. Sengupta | – |
1962 |
Lakshmi | • Parvati Ghose • G. P. Ghose |
Sarda Naik | – |
1963 |
Jeevan Sathi | Srinibash Paikaroy | Prabhat Mukherjee | – |
1963 |
Nari | Narendra Kumar Mitra | Trilochana ( • Narendra Kumar Mitra • Amalendu Bagehi • Kavichandra Kalicharan Patnaik) |
– |
1964 |
Sadhana | Diamond Valley Production | Prabhat Mukherjee | – |
1964 |
Naba Janma | Pancha Sakha Pictures | Sachin Mukherji | – |
1965 |
No Award | |||
1966 |
||||
1967 |
Arundhati | Dhiren Patnaik | Prafulla Sengupta | – |
1968 |
Stree | Parbati Ghose | Sidhartha | – |
1969 |
No Award | |||
1970 |
No Award | |||
1971 |
||||
1972 |
No Award | |||
1973 |
No Award | |||
1974 |
No Award | |||
1975 |
No Award | |||
1976 |
||||
1977 |
Chilika Teerey | Shyamghan Rai Chaudhari | Biplab Rai Chaudhari |
For showing how, brutally oppressed by vested socio-economical interests, but now inspired by a new sense of freedom the fisher folk of Chilka lake cast off the shackles of the past and achieve their liberation for presenting with understanding and compassion the conflict between individual needs and the welfare of the community, for portraying with vigor and intensity the role of Chilka lake as a mother of the people, sharing with them their joys and sorrows. |
1978 |
No Award | |||
1979 |
||||
1980 |
No Award | |||
1981 |
Seeta Raati | Balram Misra | Manmohan Mahapatra |
For a commendable work on the theme of a woman who faces life courageously despite the orthodox forces aligned against her. |
1982 |
No Award | |||
1983 |
Neeraba Jhada | Manmohan Mahapatra | Manmohan Mahapatra |
For sensitive narration of the looming tragedy of an uprooted rural community. |
1984 |
Klanta Aparahna | Dynamic Studio | Manmohan Mahapatra | – |
1985 |
Hakim Babu | Amiya Patnaik | Pranab Das |
For a film which makes a powerful comment on the bureaucratic system which renders even an idealistic officer helpless and unable to realise his own objectives. |
1986 |
'Majhi Pahacha | Dipti Mohanty | Manmohan Mahapatra |
For a faithful portrayal of a range of individuals in today's urban milieu. |
1987 |
Nishidhdha Swapna | Manmohan Mahapatra | Manmohan Mahapatra |
For its uncompromising technique in objectively observing in life of a family in an Oriya village defining the attitudes, motivations, hopes and disillusionment of each one in the context of social change of which they are all a part. |
1988 |
Kichi Smruti Kichi Anubhuti | K. Jagadeswari | Manmohan Mahapatra |
For the cinematic depiction of the past, present and future of the psyche of a representative village. |
1989 |
Andha Diganta | Vox Visuals Pvt. Ltd. | Manmohan Mahapatra |
For its unemotional description of the increasing misery of a peasant who discovers his inadequacy in fighting his economic servitude and his own bourgeois attitude towards his wife's past. |
1990 |
No Award | |||
1991 |
Tara | Bijaya Jena | Bijaya Jena |
Marked by its sincerity in truthfully portraying woman's search for her identity in a male dominated society. |
1992 |
Vinya Samaya | Shankar Gope | Manmohan Mahapatra |
For its competent treatment of the corruption of modern youth in search of illusive wealth. |
1993 |
Aranya Rodana | Prasan Prusti | Biplab Ray Chaudhuri |
For its very sensitive and cinematic handling of an urban journalist's quest to understand the complexities of tribal life, seen through the eyes of an orphaned boy. |
1994 |
No Award | |||
1995 |
Moksha | • Jayadev Mallick • Pramoda Kumar Nayak |
• Gouri Shankar Das • Malaya Kumar Roy |
For depicting the life of two people in a rural set up who suffer an entire life of loneliness and unfulfilment, because of the rigid traditional values of society. |
1996 |
Shunya Swaroopa | Alaya Kumar Mohanty | Himanshu Sekhar Khatua |
For a beautifully photographed film depicting the conflicts of a layman floundering in the world of sanyasias. |
1997 |
Shesha Drushti | NFDC | Apurba Kishore Bir |
For the film's exploration of a suffering mother who undergoes the trauma created by her own sons and rediscovers her creative talent and rehabilitates herself. |
1998 |
Nandan | N'CYP | Apurba Kishore Bir |
For its simple story and realistic milieu. Nandan portrays the aspiration of a poor child and the constraints of his parents in fulfilling them. The triumph of family values and love over material gloss has universal appeal. |
1999 |
Biswaprakash | NFDC | Susant Misra |
For depicting the story of a young man in search of his identify and direction in life. The beautifully photo-graphed film depicts the lack of opportunities in a small town. |
2000 |
No Award | |||
2001 |
Magunira Shagada | NFDC | Prafulla Mohanty |
For showing the agony of a man trapped within tradition and unable to accept the changes that impact life around him. |
2002 |
No Award | |||
2003 |
Aw Aaakare Aa | Subash Das | Subash Das |
For a passionate call for reforms in the present education system. |
2004 |
No Award | |||
2005 |
Kathantara | Iti Samanta | Himanshu Khatua |
For seeking to re-establish Indian family values in the modern day situation. |
2006 |
Puja Pain Phulatie | Padmini Puty | Gadadhar Puty |
For an emotional portrayal of the bonding and generosity of children. |
2007 |
No Award | |||
2008 |
No Award | |||
2009 |
No Award | |||
2010 |
No Award | |||
2011 |
No Award | |||
2012 |
No Award |
Read more about this topic: National Film Award For Best Feature Film In Oriya
Famous quotes containing the word winners:
“The two real political parties in America are the Winners and the Losers. The people dont acknowledge this. They claim membership in two imaginary parties, the Republicans and the Democrats, instead.”
—Kurt Vonnegut, Jr. (b. 1922)