The National Cultural Centre, the premier auditorium for cultural presentations in Guyana, is located on Homestretch Avenue, D’Urban Park, in Georgetown. It rises 62 feet (19 m), is 240 feet (73 m) long and 115 feet (35 m) wide, and seats about 2,000 people. Its stage is 48 feet (15 m) deep with an orchestra pit, and has a 72-foot (22 m) wide and 20-foot (6.1 m) high opening. The Centre is decorated with a chandelier made of local woods over the main staircase, and a Denis Williams mural, entitled "Memorabilia 11".
After the destruction of the Assembly Rooms, the auditoriums of Queen's College and St Rose's High School were mainly used for major cultural presentations, but these were clearly inadequate venues for ambitious theatre.
The idea of establishing a National Cultural Centre can be traced back to 1951 when a foundation stone was laid on the site that now houses the Bank of Guyana building.
The decision to erect the Centre was made early in 1971 and Guyanese architects were invited to submit designs for the building in a competition held that year. From the four entries received, the design submitted by Norris Mitchell Associates was selected.
It was hoped that the building of the Centre would be finished in time for the first Caribbean Festival Creative Arts (Carifesta) which Guyana hosted in 1972. However, this was not to be. The unfinished structure was used anyway, with the aid of three large canvas tents to complete the roofing, and coconut palm fronts as walls. The Jamaica National Ballet was the first group to perform there, as part of Carifesta 72.
After many delays the National Cultural Centre was officially opened on 16 May 1976.
Famous quotes containing the words national, cultural and/or centre:
“The American, if he has a spark of national feeling, will be humiliated by the very prospect of a foreigner’s visit to Congress—these, for the most part, illiterate hacks whose fancy vests are spotted with gravy, and whose speeches, hypocritical, unctuous, and slovenly, are spotted also with the gravy of political patronage, these persons are a reflection on the democratic process rather than of it; they expose it in its process rather than of it; they expose it in its underwear.”
—Mary McCarthy (1912–1989)
“The sickly cultural pathos which the whole of France indulges in, that fetishism of the cultural heritage.”
—Jean Baudrillard (b. 1929)
“Belief and love,—a believing love will relieve us of a vast load of care. O my brothers, God exists. There is a soul at the centre of nature, and over the will of every man, so that none of us can wrong the universe.”
—Ralph Waldo Emerson (1803–1882)