Film
In her 1995 film debut Species, Henstridge played Sil, a genetically engineered alien/human hybrid created from a message received by SETI, who breaks free from the captivity of a laboratory. Pursued by a team of experts who band together to stop her before she multiplies, Sil embarks on a killing spree while also discovering her powerful instinct to mate. Species was an instant hit, making $113 million (USD) at the box office. Notable for its sexual content, the film won Henstridge the MTV Movie award for "best kiss" for a scene in which her character, while kissing an aggressive would-be suitor, impales his head on her tongue. In 1998, she played Eve, a more ambiguous genetic duplicate of Sil, in Species II, which was a failure at the box office.
A few smaller independent movies followed, including Bela Donna and Dog Park, with varied box office returns. Henstridge starred opposite Jean-Claude Van Damme in the action/adventure movie Maximum Risk. She also starred in the 2000 film The Whole Nine Yards and its 2004 sequel The Whole Ten Yards. Despite having some reservations about the science fiction genre, she signed up for John Carpenter's Ghosts of Mars (2001) in the lead role. The film was not well-received, with a 20% rating on Rotten Tomatoes. In 2004, she briefly appeared as Eve in Species III.
Read more about this topic: Natasha Henstridge
Famous quotes containing the word film:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)