Television
In the late 1990s, Walter had a leading role playing Caralyn in the popular ITV sitcom Babes in the Wood. Other television appearances include in The Thin Blue Line, which also starred Rowan Atkinson, and the BBC comedy sketch series Harry Enfield and Chums. Her recent television work includes Doctor Who, in which she played Alice Coltrane in the episode entitled "Turn Left", and a guest starring role as Emily in the 2010 Easter special of Jonathan Creek (The Judas Tree) and a 2010 episode of Lynda La Plante's ITV drama serial Above Suspicion. Walter appeared in the first episode of HBO's 2013 mockumentary-style comedy Family Tree.
| Year | Programme | Channel | Role |
|---|---|---|---|
| 2013 | Family Tree | HBO | Ellie |
| 2011 | Above Suspicion: Deadly Intent | ITV | Connie Short |
| 2010 | Jonathan Creek | BBC | Emily |
| 2008 | Doctor Who | BBC | Alice Coltrane |
| 2005 | Hampstead Heath: the Musical | BBC | Tree Woman |
| 2004 | Hollywood Goddesses | Sky One | Tallulah Bankhead |
| 2003 | Doctors | BBC | Esther Peters |
| 2001 | Harry Enfield and Chums | BBC | Various characters |
| 2000 | The Peter Principle | BBC | Chloe |
| 1998/9 | Babes in the Wood | ITV | Caralyn Monroe |
| 1998 | Ruth Rendell Mysteries | ITV | Tanya Paine |
| 1998 | The Stalker's Apprentice | STV | Karen Scott |
| 1997 | Get Well Soon | BBC | Beryl |
| 1996 | The Thin Blue Line | BBC | Elf |
Read more about this topic: Natalie Walter
Famous quotes containing the word television:
“The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.”
—Frederic Raphael (b. 1931)
“It is not heroin or cocaine that makes one an addict, it is the need to escape from a harsh reality. There are more television addicts, more baseball and football addicts, more movie addicts, and certainly more alcohol addicts in this country than there are narcotics addicts.”
—Shirley Chisholm (b. 1924)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)