Natalie Walter - Television

Television

In the late 1990s, Walter had a leading role playing Caralyn in the popular ITV sitcom Babes in the Wood. Other television appearances include in The Thin Blue Line, which also starred Rowan Atkinson, and the BBC comedy sketch series Harry Enfield and Chums. Her recent television work includes Doctor Who, in which she played Alice Coltrane in the episode entitled "Turn Left", and a guest starring role as Emily in the 2010 Easter special of Jonathan Creek (The Judas Tree) and a 2010 episode of Lynda La Plante's ITV drama serial Above Suspicion. Walter appeared in the first episode of HBO's 2013 mockumentary-style comedy Family Tree.

Year Programme Channel Role
2013 Family Tree HBO Ellie
2011 Above Suspicion: Deadly Intent ITV Connie Short
2010 Jonathan Creek BBC Emily
2008 Doctor Who BBC Alice Coltrane
2005 Hampstead Heath: the Musical BBC Tree Woman
2004 Hollywood Goddesses Sky One Tallulah Bankhead
2003 Doctors BBC Esther Peters
2001 Harry Enfield and Chums BBC Various characters
2000 The Peter Principle BBC Chloe
1998/9 Babes in the Wood ITV Caralyn Monroe
1998 Ruth Rendell Mysteries ITV Tanya Paine
1998 The Stalker's Apprentice STV Karen Scott
1997 Get Well Soon BBC Beryl
1996 The Thin Blue Line BBC Elf

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Famous quotes containing the word television:

    Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.
    Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)

    Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.
    Susan Sontag (b. 1933)

    All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.
    Clive James (b. 1939)