Nat Finkelstein - Return To The U.S. & Drug Addiction

Return To The U.S. & Drug Addiction

Finkelstein returned to the United States in 1982 when he became aware that charges against him had been dropped. He became involved in the New York punk music scene, managing bands such as Khmer Rouge (feat. Phil Shoenfelt), whose members he used as photographic subjects. He made frequent visits to Bolivia to nourish an addiction to cocaine.

The death of Warhol in 1987 came as a wake-up call to Finkelstein and by 1989 he had weaned himself off the drugs and reignited his career in photography. He affinity for subcultures remained and he spent his time in the 1990s on the rave scene, first in London, then Amsterdam, and back to New York. He shot a generation of New York club kids, a group that he recorded in his 1993 book “Merry Monsters”. Finkelstein now found himself in constant demand, he had over seventy-five solo and group shows at museums and galleries worldwide. His images have appeared in magazines such as Life, Time, Sport’s Illustrated, Harper’s & Queen, Vogue, and The New York Times Magazine.

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Famous quotes containing the words return to the, return to, return, drug and/or addiction:

    Yet I shall never return to the past, that attic.
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    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1858–1924)

    At twelve, the disintegration of afternoon
    Began, the return to phantomerei, if not
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    At twelve, as green as ever they would be.
    The sky was blue beyond the vaultiest phrase.
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    Most people aren’t appreciated enough, and the bravest things we do in our lives are usually known only to ourselves. No one throws ticker tape on the man who chose to be faithful to his wife, on the lawyer who didn’t take the drug money, or the daughter who held her tongue again and again. All this anonymous heroism.
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    All sin tends to be addictive, and the terminal point of addiction is what is called damnation.
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