Return To The U.S. & Drug Addiction
Finkelstein returned to the United States in 1982 when he became aware that charges against him had been dropped. He became involved in the New York punk music scene, managing bands such as Khmer Rouge (feat. Phil Shoenfelt), whose members he used as photographic subjects. He made frequent visits to Bolivia to nourish an addiction to cocaine.
The death of Warhol in 1987 came as a wake-up call to Finkelstein and by 1989 he had weaned himself off the drugs and reignited his career in photography. He affinity for subcultures remained and he spent his time in the 1990s on the rave scene, first in London, then Amsterdam, and back to New York. He shot a generation of New York club kids, a group that he recorded in his 1993 book “Merry Monsters”. Finkelstein now found himself in constant demand, he had over seventy-five solo and group shows at museums and galleries worldwide. His images have appeared in magazines such as Life, Time, Sport’s Illustrated, Harper’s & Queen, Vogue, and The New York Times Magazine.
Read more about this topic: Nat Finkelstein
Famous quotes containing the words return to the, return to, return, drug and/or addiction:
“Or ever the silver cord be loosed, or the golden bowl be broken, or
the pitcher be broken at the fountain, or the wheel broken at the
cistern.
Then shall the dust return to the earth as it was: and the spirit
shall return unto God who gave it.
Vanity of vanities, saith the preacher, all is vanity.”
—Bible: Hebrew Ecclesiastes (l. XII, 6–7)
“I thought to myself that it was still another Sunday gone by, that Mother was now buried, that I was going to return to work and that, after all, nothing had changed.”
—Albert Camus (1913–1960)
“The return of the asymmetrical Saturday was one of those small events that were interior, local, almost civic and which, in tranquil lives and closed societies, create a sort of national bond and become the favorite theme of conversation, of jokes and of stories exaggerated with pleasure: it would have been a ready- made seed for a legendary cycle, had any of us leanings toward the epic.”
—Marcel Proust (1871–1922)
“Upon entering my vein, the drug would start a warm edge that would surge along until the brain consumed it in a gentle explosion. It began in the back of the neck and rose rapidly until I felt such pleasure that the world sympathizing took on a soft, lofty appeal.”
—Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Bob Hughes (Matt Dillon)
“All sin tends to be addictive, and the terminal point of addiction is what is called damnation.”
—W.H. (Wystan Hugh)