Press Quotes
As one writer has observed, "His taking advantage of the instrument's flexibility has opened Yepes to some criticism," citing Bach's Chaconne in D Minor as an example. Yepes responded that, "There are three versions of the Chaconne and I analyzed all three. The version I play is the one I think Bach would have written if he'd composed the piece for guitar or lute."
Guitarist and teacher Ivor Mairants noted that after a Yepes concert at Wigmore Hall in 1961, some in the audience were split about Yepes' phrasing. Mairants, who had started as a jazz guitarist but took up the classical guitar and had two lessons with Segovia, met with Yepes afterwards and questioned him about his phrasing, which was very different from Segovia's. In his memoir, Mairants wrote, "I exclaimed 'Do you think it necessary to play that section as slowly as you do?' 'Why, yes' he said, 'Look at the paper (music) and you will see it written that way'. When I again mentioned that Segovia did not play it that way, he had no doubt had enough of my comparisons and answered, somewhat heatedly 'I have a great admiration for Segovia and everything he has done for the guitar and its history, but I do not have to put on a record of Segovia and play the music exactly as he does. No, I don't think so!'" Elsewhere, Yepes was quoted as saying, "Segovia is a very beautiful player, but it is not necessary to imitate him. Why should Rostropovich imitate Casals?"
Positive and negative reviews of Yepes' performances, as with any artist, can be found:
Read more about this topic: Narciso Yepes
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