Works
Narayan Gangopadhyay began writing poetry while still a student. In due course he became famous for his short stories, novels, plays etc. Narayan Gangopadhyay's first story was published in 'Bichitra'. He was a romantic writer. His novels include Upanibesh (3 volumes, 1944-1947), Samrat O Shresthi (1944), Mandramukhar (1945), Shilalipi (1949), Lalmati (1951), Krishnapaksa (1951), Baitalik (1955), and Asidhara (1957). His volumes of short stories include Trophy (1949), Bitangsa, Janmantar, Bhangabandar, Duhshasan, Bhatiyali (1957), Exhibition, Chhayatari, Ghurni, and Aleyar Rat. Among his other works are several volumes of essays: Sahitya O Sahityik, Sahitye Chhotagalpa (1955), Kathakobid Rabindranath (1965), and Chhotagalper Simarekha (1969). He also wrote stories for children, among them, Saptakanda, Andhakarer Agantuk, Chotader Shrestha Galpa (1952), Chhutir Akash, Khushir Hawa, Jhau Banglor Rahasya, Panchananer Hati, Pataldangar Tenida, Galpa Bali Galpa Shona, Abyartha Laksyabhed, Tenidar Abhiyan (1941). Bhadate Chai and Agantuk were two of his widely acclaimed plays. He also wrote a few screenplays and songs for films and gramophone records.
Narayan Gangopadhyay was a regular contributor to Shanibarer Chithi. Towards the end of his life, he used to write regularly for the weekly Desh under the pen name 'Sunanda'. His writings are informed by his historical sense and patriotic feelings as well as his love for the nature of Bengal. His short stories were highly acclaimed, and he was awarded the Ananda Award (1946) in recognition of his contribution to bangla literature. The weekly Basumati accorded him a reception in 1968. Narayan Gangopadhyay died on 6 November 1970 in Kolkata.
His literary works are included in the curriculum of school level, secondary, higher secondary and graduation level Bengali Literature in Bangladesh.
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Famous quotes containing the word works:
“In the works of man, everything is as poor as its author; vision is confined, means are limited, scope is restricted, movements are labored, and results are humdrum.”
—Joseph De Maistre (1753–1821)
“Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.”
—Henry David Thoreau (1817–1862)
“Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.”
—William Butler Yeats (1865–1939)