Description
It shows Napoleon as emperor, in the costume he wore for his coronation, seated on a circular-backed throne with armrests adorned with ivory balls. In his right hand he holds the sceptre of Charlemagne and in his left the hand of justice. On his head is a golden laurel wreath, similar to one wore by Caesar. He also wears an ermine hood under the great collar of the Légion d'honneur, a gold-embroidered satin tunic and an ermine-lined purple velvet cloak decorated with gold bees. The coronation sword is in its scabbard and held up by a silk scarf. The subject wears white shoes embroidered in gold and resting on a cushion. The carpet under the throne displays an imperial eagle. The signature INGRES P xit is in the bottom left, and ANNO 1806 in the bottom right.
Scholar Simon Abrahams has suggested that Ingres never intended the portrait to be as "the Napoleon of painting." That was a phrase that Ingres himself used about his best disciple, Theodore Chasseriau.
Read more about this topic: Napoleon I On His Imperial Throne
Famous quotes containing the word description:
“As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.”
—Henry David Thoreau (1817–1862)
“An intentional object is given by a word or a phrase which gives a description under which.”
—Gertrude Elizabeth Margaret Anscombe (b. 1919)
“Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.”
—Paul Tillich (1886–1965)