Exhibitions
Royal Hibernian Academy (RHA), submitting a total of 42 canvases from 1925-late 1960s.Engineer's Hall (1931) with artists Marion King and Olive Cunningham; a solo exhibition at St Stephen's Green Gallery (1934); a solo show at the Daniel Egan Gallery, Dublin (1936), which was repeated in Drogheda; the Water Colour Society of Ireland (1939). Reid was also involved in portrait art, having her works displayed at the Irish Drawings and Paintings Exhibition in New York (1938), and at the Dublin Painters Exhibition (1939) in Dublin. She continued to show her artworks throughout the 1940s, adding the Oireachtas, Dawson Gallery and Victor Waddington Galleries to her list of venues. During this time, Nano Reid also exhibited her paintings in London: at the Living Irish Art Exhibition at the Leicester Galleries (1946), St George's Gallery (1950), Hanover Gallery (1952). In 1950, with Nora McGuiness, Nano Reid represented Ireland at the Venice Biennale. This was followed by the Exhibition of Contemporary Irish Art in Aberystwyth (1953), and the Mostra Internazionale di Bianco e Nero in Lugano (1956), the Guggenheim International Award Exhibition in New York (1960) and the Twelve Irish Painters show in New York (1963). On the home front, Reid exhibited in Belfast and several times at the Dawson Gallery in Dublin. At the end of the 1960s she showed at the Hugh Lane Art Gallery. In 1972, she won the Douglas Hyde Gold Medal at the Oireachtas for the best history painting - Cave of the Firbolg. In 1974, the Arts Council and the Northern Ireland Arts Council staged a major retrospective of Nano Reid's artworks.
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