Career
As a young artist, Nandalal Bose was deeply influenced by the murals of the Ajanta Caves. He had become part of an international circle of artists and writers seeking to revive classical Indian culture; a circle that already included Okakura Kakuzō, WillIam Rothenstein, Yokoyama Taikan, Christiana Herringham, Laurence Binyon, Abanindranath Tagore, and the seminal London Modernist sculptors Eric Gill and Jacob Epstein.
To mark the 1930 occasion of Mahatma Gandhi's arrest for protesting the British tax on salt, Bose created a black on white linocut print of Gandhi walking with a staff. It became the iconic image for the non-violence movement.
His genius and original style were recognized by famous artists and art critics like Gaganendranath Tagore, Ananda Coomaraswamy and O. C. Ganguli. These lovers of art felt that objective criticism was necessary for the development of painting and founded the Indian Society of Oriental Art.
He became principal of the Kala Bhavana (College of Arts) at Tagore's International University Santiniketan in 1922.
He was also famously asked by Jawaharlal Nehru to sketch the emblems for the Government of India’s awards, including the Bharat Ratna and the Padma Shri. Along with his students, Nandalal Bose took up the historic task of beautifying/decorating the original manuscript of the Constitution of India.
He died on 16 April 1966 in Calcutta.
Today, the National Gallery of Modern Art in Delhi holds 7000 of his works in its collection, including a 1930 black and white linocut of the Dandi March depicting Mahatma Gandhi, and a set of seven posters he later made at the request of Mahatma Gandhi for the 1938 Haripura Session of the Indian National Congress.
Read more about this topic: Nandalal Bose
Famous quotes containing the word career:
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)