Nanclus - Production - Props and Models

Props and Models

Paramount made a decision early on to use existing ship models for filming, meaning the old models—some more than a decade old—had to be refurbished, adapted, and reused. As some ships had not been examined for some time, electrical problems had developed. The Klingon cruiser first seen in 1979's The Motion Picture was altered to suggest an important flagship, with a flared design applied to the underside of the vessel. Effects supervisor William George wanted to make it distinct from the earlier ships, since it was one of the few models that could be altered: "We did some research into military costuming, and came up with the concept that when these ships return victorious from battle, the Klingons build some sort of epaulet onto their wings or paint a new stripe on." The model was repainted brown and red and etched with brass.

Despite representing a new vessel, the Enterprise-A was the same model that had been used since 1979. Poorly regarded by earlier effects artists because of its complicated wiring and bulk, the Enterprise's hairline cracks were puttied and sanded down, and the internal circuitry was redone. The new model's running lights were matched to similar intensities, saving the effects artists time because the lights would look correct with only a single pass, instead of three passes required previously (for the sensor dome, running lights, and window lights). One unfortunate byproduct of the fixes was the loss of the model's distinctive pearlescent finish. The elaborate sheen was never visible on screen (lighting schemes prevented reflections while filming so the ship could be properly inserted into effects shots) and so when the model was repainted with conventional techniques the effect was lost. The Bird of Prey had been damaged from work in The Voyage Home, where the ship was supposed to fly around the sun. To suggest singes, the model had been painted with black-tinged rubber cement, with the expectation that this application would rub off. The cement instead sat on the model and baked itself to the model surface, which then had to be scrubbed off.

Greg Jein, best known as the builder of the alien mothership from Close Encounters of the Third Kind, was called on to build props for the film. Jein was a longtime Star Trek fan who had constructed the props for The Final Frontier, but was forced to remake props that had since mysteriously disappeared. Jein added references to the original television series and other science fiction franchises throughout the prop designs; the Rura Penthe warden's staff contained parts of a spaceship from Buck Rogers, while the frong was detailed with a prop from Buckaroo Banzai. Elements from The Final Frontier were modified and reused; a medical implement from the film became Chekov's blood tester, and the assault phasers first seen in The Final Frontier became standard issue. Gorkon's staff was intended to be a massive bone from an alien creature he had killed, with the designs shaped out of green foam and approved by Meyer. Two copies were strong enough to support David Warner's weight; another two were designed to be light enough to be hung from wires for the zero gravity scenes. Since the Klingon phasers were redesigned for the third film, the original holsters no longer fit the weaponry; as a result, no Klingons had ever been seen drawing a phaser. Meyer was adamant about having the actors be able to unholster their weapons, so the existing pistols had to be redesigned. The Klingon sniper rifle was broken into sections, with parts modeled from real weapons.