Career
After she released her first single on 8 November 1995, she released three more singles, and then her first full album Red in 1996, which sold more than two million copies in its first month. That album won her an invitation to perform on Kōhaku Uta Gassen, a New Year's Eve singing contest between male and female teams of popular singers sponsored by NHK (one of Japan's television networks).
Since then, she has released about one album each year, plus an average of three mini- or maxi-singles. Her second album, Paradox, was released in July 1997, selling 1.8 million copies, coinciding with her first concert tour Live Emotion '97 (consisting of 20 concert dates, and attracting a total of 65,000 fans, according to Avex).
July 1998 saw her third album Crimson, and another concert tour with over 40 concert dates. Her 1999 release, I.D. was a compilation album, but it debuted at number one on the rock chart, her fourth consecutive album to be released at the number one slot.
Some music-journalists said that a large part of her fan base, during the 1990s, was the Bōsōzoku (motorcycle gang) youthes especially those in the western areas of Japan.
In 2001, she also released a 'mini-album' (sometime between a full album and a single) with only 7 tracks called the Last Quarter of uncharacteristically soft ballad-style music, recorded during her later months of pregnancy.
It was not until 2003 that she released another album, another compilation, called ID: 2.
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"China Rose" (1999)
You can download the clip or download a player to play the clip in your browser. 30 second sample of Nanase Aikawa's song "China Rose" from her album,"Foxtrot". Read more about this topic: Nanase Aikawa Famous quotes containing the word career:“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.” “Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.” “Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.” |