Name - Literary Names

Literary Names

In fiction, proper names of people or places are often unique to the work in which they appear. Although, within the work of fiction proper, the name may nonetheless be said to have a certain ethnic origin, the name itself may not actually exist. For example, the character of Ororo Munroe (Storm of the X-Men franchise) is of African descent. Her first name, however is not an authentic African name. Names may also be created to either represent ethnic neutrality or corruption of a name with the passage of time. This is a common technique used by science fiction and fantasy writers who may also employ alternate spellings of existing names. Also, many science fiction operates on the premise that racial and ethnic boundaries will cease to exist in the future thus producing names that appear to be mixes of different ethnic sources. Yoshiyuki Tomino (creator of the anime Mobile Suit Gundam) is notable for creating character names that are unusual, exotic, and sometimes silly sounding. Examples include Char Aznable (which is actually based on a real person), Bright Noa, Quess Paraya, and Marvel Frozen. The science fiction writer Isaac Asimov has also created names which may or may not be variants or corruptions of existing or ancient names. Examples include Dors Venabili, R. Daneel Olivaw, and Giskard Reventlov. The Star Wars and Dune franchises contains many character names that juggle existing names with created ones; Leia Organa, Ben Kenobi, Paul Atreides, Vladimir Harkonnen.

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Famous quotes containing the words literary and/or names:

    She had exactly the German way: whatever was in her mind to be delivered, whether a mere remark, or a sermon, or a cyclopedia, or the history of a war, she would get it into a single sentence or die. Whenever the literary German dives into a sentence, that is the last you are going to see of him till he emerges on the other side of the Atlantic with his verb in his mouth.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    In a time of confusion and rapid change like the present, when terms are continually turning inside out and the names of things hardly keep their meaning from day to day, it’s not possible to write two honest paragraphs without stopping to take crossbearings on every one of the abstractions that were so well ranged in ornate marble niches in the minds of our fathers.
    John Dos Passos (1896–1970)