NAACP Image Award For Outstanding Motion Picture

The NAACP Image Award winners for Outstanding Motion Picture:

Year Winner Nominees
1972 Lady Sings the Blues
1982 An Officer and a Gentleman
1985 A Soldier's Story
1986 The Color Purple
1989 Lethal Weapon
1990 Coming to America
1991 Lean on Me
1993 Boyz n the Hood
1994 Sister Act
1995 Malcolm X
1996 Waiting to Exhale
1997 A Time to Kill
1998 Soul Food
1999 How Stella Got Her Groove Back
2000 The Best Man
2001 Remember the Titans
2002 Ali
2003 Antwone Fisher
2004 The Fighting Temptations
2005 Ray
2006 Crash
2007 The Pursuit of Happyness
2008 The Great Debaters
2009 The Secret Life of Bees
2010 Precious
2011 For Colored Girls
2012 The Help

Famous quotes containing the words motion picture, image, award, outstanding, motion and/or picture:

    Too many Broadway actors in motion pictures lost their grip on success—had a feeling that none of it had ever happened on that sun-drenched coast, that the coast itself did not exist, there was no California. It had dropped away like a hasty dream and nothing could ever have been like the things they thought they remembered.
    Mae West (1892–1980)

    For women ... bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can’t possibly fit. Without these visual references, each individual woman’s body demands to be accepted on its own terms. We stop being comparatives. We begin to be unique.
    Gloria Steinem (b. 1934)

    The award of a pure gold medal for poetry would flatter the recipient unduly: no poem ever attains such carat purity.
    Robert Graves (1895–1985)

    Both Socrates and Jesus were outstanding teachers; both of them urged and practiced great simplicity of life; both were regarded as traitors to the religion of their community; neither of them wrote anything; both of them were executed; and both have become the subject of traditions that are difficult or impossible to harmonize.
    Jaroslav Pelikan (b. 1932)

    subways, rivered under streets
    and rivers . . . in the car
    the overtone of motion
    underground, the monotone
    of motion is the sound
    of other faces, also underground—
    Hart Crane (1899–1932)

    The difference between human vision and the image perceived by the faceted eye of an insect may be compared with the difference between a half-tone block made with the very finest screen and the corresponding picture as represented by the very coarse screening used in common newspaper pictorial reproduction. The same comparison holds good between the way Gogol saw things and the way average readers and average writers see things.
    Vladimir Nabokov (1899–1977)