Select Compositions
| Composition | Raga | Remarks | |
|---|---|---|---|
| Adi Vinayakam | Reetigowla | Varnam - Part of Vinayaka Vaibhavam | |
| Sami ninne | Sahana | Varnam | |
| Sarigamadana | Vasantabhairavi | Varnam | |
| Punnagai azhahil | Surati | Pada Varnam for music & dance | |
| Kuzhaloodi konjidum | Mohanam | Pada Varnam for music & dance | |
| Sada sharanam | Gowrimanohari | Krti on Vinayaka | |
| Sakaleshwara | Hamsadhvani | Krti on Vinayaka | |
| Sada nin paadame | Chakravakam | Krti with only descending note-phrases | |
| Sharavanabhava | Bilahari | Krti on Shanmukha | |
| Rasikapriya | Rasikapriya | Krti on Devi | |
| 72 Mela Ragamalika Geetam | Ragamalika | Class & Concert level - 73 ragas in 7 mts | |
| Bhasha malika krti | Ragamalika | In 5 languages - Tamil, Telugu, Sanskrit, Kannada & Hindi - Opera Ramayana | |
| Saadaramutonu | Shankarabharanam | Thematic Swarakshara krti (Every line begins with S,D - R,D - G,D - M,D etc) | |
| Sadaa dayato | Hindolam | Thematic Swarakshara krti using SD,- GD,- MD, etc and SM,- GM,- DM, etc) | |
| Sari samana | Keshavapriya | Krti - raga discovered by Ravikiran | |
| Aashai niraiveridave | Ragamalika | Folksy critique on human nature | |
| Aaraadhanai sheivaradi | Ragamalika | Feisty critique on posthumous reverence | |
| Unmai unarndor | Ragamalika | Philosophical rumination | |
| Vidhiyin vindai | Bhoopalam | On destiny | |
| Unnai naadi | Saveri | Padam for music & dance | |
| Varuvai muraha | Begada | Javali for music & dance | |
| Moha mataladi | Vasanta | Javali for music & dance | |
| Pancha raga-tala-jati tillana | Ragamalika | Pallavi, Anupallavi & 3 charanams & reversing raga-tala sequence | |
| Tarikita | Khamach | Tillana in Chaturashra Tishra style - Opera Ramayana | |
| Takajham tajham | Athana | Dwigati Tillana (Tishram & Chaturashram) in every line | |
| Tattom tattom | Kalyanavasantam | Tillana - charanam lyrics alliterate on 'va' to beat |
Read more about this topic: N. Ravikiran
Famous quotes containing the word select:
“Why does he not know how to select servants? The ordinary procedure of the nineteenth century is that when a powerful and noble personage encounters a man of feeling, he kills, exiles, imprisons or so humiliates him that the other, like a fool, dies of grief.”
—Stendhal [Marie Henri Beyle] (17831842)