Critical Reception
Because its experimental nature falls outside the mainstream of Thai cinema, Mysterious Object at Noon received little attention in the director's native country. However through film festival screenings overseas, the film gained positive notice from film critics.
"Mr. Weerasethakul's film is like a piece of chamber music slowly, deftly expanding into a full symphonic movement; to watch it is to enter a fugue state that has the music and rhythms of another culture. It's really a movie that requires listening, reminding us that the medium did become talking pictures at one point," said Elvis Mitchell in The New York Times.
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