Reception
Considered one of Potok's best works, it has a sequel, The Gift of Asher Lev. The first "Brooklyn Crucifixion", a work by Asher which plays a central role in the novel's conclusion, is an actual painting by Potok, who was an accomplished artist as well as a novelist and rabbi; the second Crucifixion, which is described in the book as being superior to the first, does not have a real-life counterpart.
The book is a thinly disguised depiction of the Lubavitch community. "Brooklyn Parkway", with its heavy traffic and island promenades, is a reference to Eastern Parkway. However, contrary to popular opinion, the character of Yudel Krinsky is not meant to refer to Chaim Yehuda Krinsky, one of the assistants to Rebbe Menachem Mendel Schneerson.
Read more about this topic: My Name Is Asher Lev
Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)