Use in North Indian Cultural and Artistic Activities
Mustard oil was once popular as a cooking oil in northern India. In the second half of the 20th century the popularity of mustard oil receded due to the availability of mass-produced vegetable oils. It is still intricately embedded in the culture:
- It is poured on both sides of the threshold when someone important comes home for the first time (e.g. a newly-wedded couple or a son or daughter when returning after a long absence, or succeeding in exams or an election.
- Used as traditional jaggo pot fuel in Punjabi weddings.
- Used as part of home-made cosmetics during mayian.
- Used as fuel for lighting earthen lamps (diyas) on festive occasions such as Diwali.
- Used in hair. Known to be extremely beneficial for hair growth.
- Used in instruments. The residue cake from the mustard oil pressing is mixed with sand, mustard oil and (sometimes) tar. The resulting sticky mixture is then smeared on the inside of Dholak and Dholki membranes to add weight (from underneath) to the bass membrane.This enables the typical Indian drum glissando sound, created by rubbing one's wrist over it. This is also known as a (Tel masala) Dholak Masala or oil syahi.
Read more about this topic: Mustard Oil
Famous quotes containing the words north, indian, cultural, artistic and/or activities:
“Ah, how shall you know the dreary sorrow at the North Gate,
With Li Pos name forgotten,
And we guardsmen fed to the tigers.”
—Li Po (701762)
“When an Indian is burned, his body may be broiled, it may be no more than a beefsteak. What of that? They may broil his heart, but they do not therefore broil his courage,his principles. Be of good courage! That is the main thing.”
—Henry David Thoreau (18171862)
“The only justification for repressive institutions is material and cultural deficit. But such institutions, at certain stages of history, perpetuate and produce such a deficit, and even threaten human survival.”
—Noam Chomsky (b. 1928)
“The true, prescriptive artist strives after artistic truth; the lawless artist, following blind instinct, after an appearance of naturalness. The one leads to the highest peaks of art, the other to its lowest depths.”
—Johann Wolfgang Von Goethe (17491832)
“That is the real pivot of all bourgeois consciousness in all countries: fear and hate of the instinctive, intuitional, procreative body in man or woman. But of course this fear and hate had to take on a righteous appearance, so it became moral, said that the instincts, intuitions and all the activities of the procreative body were evil, and promised a reward for their suppression. That is the great clue to bourgeois psychology: the reward business.”
—D.H. (David Herbert)