Fully Automated Musical Fountains
While all pre-programmed musical fountain shows involve computerized show control systems, the use of computer technology to spontaneously "self-choreograph" a fountain to random musical input is novel. Possibly the most sophisticated full-scale implementations in use are at the Miracle Mile Shops in Las Vegas, Washington Park (Cincinnati, Ohio), and Washington Harbour in the District of Columbia, using a system developed by H2Oarts.com. Unlike conventional musical fountains, which must be manually pre-programmed moment-to-moment, the H2Oarts' Musical Water Feature Automation System uses the venue's own live background music to animate the water and lights in real time. Beyond basic light organ-style responses to loudness, bass, and treble, H2Oarts employs rhythm, dynamic range, transient (acoustics), and other subtler components of music to control water and light.
Read more about this topic: Musical Fountain
Famous quotes containing the words fully, automated, musical and/or fountains:
“Mothers who have little sense of their own minds and voices are unable to imagine such capacities in their children. Not being fully aware of the power of words for communicating meaning, they expect their children to know what is on their minds without the benefit of words. These parents do not tell their children what they mean by “good” much less why. Nor do they ask the children to explain themselves.”
—Mary Field Belenky (20th century)
“Nature is a self-made machine, more perfectly automated than any automated machine. To create something in the image of nature is to create a machine, and it was by learning the inner working of nature that man became a builder of machines.”
—Eric Hoffer (1902–1983)
“That vast moth-eaten musical brocade
Created to pretend we never die ...”
—Philip Larkin (1922–1986)
“I’m hurt, hurt and humiliated beyond endurance, seeing the wheat ripening, the fountains never ceasing to give water, the sheep bearing hundreds of lambs, the she-dogs, until it seems the whole country rises to show me its tender sleeping young while I feel two hammer-blows here instead of the mouth of my child.”
—Federico García Lorca (1898–1936)