Modern British Popular Music
Main article: British popular music See also: British rockForms of popular music, including folk music, jazz, pop and rock music, have particularly flourished in Britain since the twentieth century. Britain has had an impact on popular music disproportionate to its size, due to its linguistic and cultural links with many countries, particularly the United States and many of its former colonies like Australia, South Africa, and Canada, and its capacity for invention, innovation and fusion, which has led to the development of, or participation in, many of the major trends in popular music. In the early-20th century, influences from the United States became most dominant in popular music, with young performers producing their own versions of American music, including rock n' roll from the late 1950s and developing a parallel music scene. This is particularly true since the early 1960s when the British Invasion, led by The Beatles, helped to secure British performers a major place in development of pop and rock music. Since then, rock music and popular music contributed to a British-American collaboration, with trans-Atlantic genres being exchanged and exported to one another, where they tended to be adapted and turned into new movements, only to be exported back again. Genres originating in or radically developed by British musicians include blues rock, heavy metal, progressive rock, hard rock, punk rock, electric folk, folk punk, acid jazz, trip hop, shoegaze, drum and bass, grime, Britpop and dubstep.
Read more about this topic: Music Of The United Kingdom
Famous quotes containing the words modern, british, popular and/or music:
“Anne: He hit me, Jack. My own brother, he hit me.
Jack: Your brothers an old-fashioned man, he believes in a sisters honor. Me, Im Modern Man, the 20th-century type. I run.”
—Robert Rossen (19081966)
“The earth is mankinds ultimate haven, our blessed terra firma. When it trembles and gives way beneath our feet, its as though one of Gods cheques has bounced.”
—Gilbert Adair, British author, critic. quoted in: London Sunday Correspondent Magazine (Dec. 24, 1989)
“We live under continual threat of two equally fearful, but seemingly opposed, destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.”
—Susan Sontag (b. 1933)
“Slow, slow, fresh fount, keep time with my salt tears;
Yet slower yet, oh faintly gentle springs:
List to the heavy part the music bears,
Woe weeps out her division when she sings.
Droop herbs and flowers;
Fall grief in showers;
Our beauties are not ours:
Oh, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since natures pride is, now, a withered daffodil.”
—Ben Jonson (15721637)