Traditional Music
| Melanesian music |
|---|
| Maluku |
| New Caledonia |
| Papua |
| Papua New Guinea |
| Solomon Islands |
| Torres Strait |
| Vanuatu |
| West Irian Jaya |
Christian missionaries disapproved of Papuan folk music throughout the colonial period of the country's history. Even after independence, the outside world knew little of the diverse peoples' traditional music genres. The first commercial release to see an international audience did not occur until 1991, when percussionist Mickey Hart's Voices of the Rainforest was released.
After 1872, foreigners introduced Christian hymns, including Gregorian chanting. Peroveta anedia, ute and taibubu, all forms of Polynesian music, were also introduced in this period. The Gold Rush brought an influx of Australian miners who brought with them the mouth organ.
Traditional celebrations, which include song, dance, feasting and gift-giving, are called sing-sing. Vibrant and colorful costumes adorn the dancers, while a leader and a chorus sing a staggered approach to the same song, producing a fugue-like effect. 1993 saw television spreading across the country, and American popular music continued to affect Papuan music given the diffusion of radio since World War II. Since 1953, singsings have become competitive in nature, with contests occurring in Port Moresby, Mt. Hagen and Goroka. 1949 saw the first Papuan to achieve international fame, Blasius To Una, begin his career.
By the end of the 1970s, a local recording industry had appeared and artists such as Sanguma and later George Telek began mixing native and Western styles like rock and jazz.
Read more about this topic: Music Of Papua New Guinea
Famous quotes containing the words traditional and/or music:
“We should have an army so organized and so officered as to be capable in time of emergency, in cooperation with the National Militia, and under the provision of a proper national volunteer law, rapidly to expand into a force sufficient to resist all probable invasion from abroad and to furnish a respectable expeditionary force if necessary in the maintenance of our traditional American policy which bears the name of President Monroe.”
—William Howard Taft (18571930)
“The harp that once through Taras halls The soul of music shed, Now hangs as mute on Taras walls As if that soul were fled.”
—Thomas Moore (17791852)