The music of New York City is a diverse and important field in the world of music. It has long been a thriving home for jazz, rock and the blues. It is the birthplace of hip hop, Latin freestyle, disco, and punk rock as well as the birthplace of Salsa music, born from a fusion of Cuban, Puerto Rican and Dominican influences that came together in New York's Latino neighborhoods in the 1960s. The city's culture, a melting pot of nations from around the world, has produced vital folk music scenes such as Irish-American music and Jewish klezmer. Beginning with the rise of popular sheet music in the early 20th century, New York's Broadway musical theater and Tin Pan Alley's songcraft, New York has been a major part of the American music industry.
Music author Richie Unterberger has described the New York music scene, and the city itself, as "(i)mmense, richly diverse, flashy, polyethnic, and engaged in a never-ending race for artistic and cosmopolitan supremacy". Despite the city's historic importance in the development of American music, there are those who feel that its status has declined in recent years, due to a combination of increased corporate control over music media, an increase in the cost-of-living and the rise of local music scenes whose success is facilitated by the cheap communication provided by the Internet.
Read more about Music Of New York City: Institutions and Venues, Festivals, Holidays and Parades, Music History, Popular Music
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“The energy, the brutality, the scale, the contrast, the tension, the rapid change—and the permanent congestion—are what the New Yorker misses when he leaves the city.”
—In New York City, U.S. public relief program (1935-1943)
“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
—Muriel Rukeyser (1913–1980)
“Orpheus with his lute made trees
And the mountain tops that freeze
Bow themselves when he did sing.
To his music plants and flowers
Ever sprung, as sun and showers
There had made a lasting spring.”
—William Shakespeare (1564–1616)
“A hundred times have I thought New York is a catastrophe ... it is a beautiful catastrophe.”
—Le Corbusier [Charle Édouard Jeanne] (1887–1965)
“The screech and mechanical uproar of the big city turns the citified head, fills citified ears—as the song of birds, wind in the trees, animal cries, or as the voices and songs of his loved ones once filled his heart. He is sidewalk- happy.”
—Frank Lloyd Wright (1869–1959)