New York City
New York City has long been a center for musical innovation, home to the popular music industry in the United States since Tin Pan Alley. The Tin Pan Alley was a group of songwriters in New York who dominated the sheet music industry for many years. Soon after, New York became a vital part of the burgeoning jazz and blues scenes and nascent record industries. Musical theater flourished in the city, especially on Broadway.
By the 1950s, New York had become a home for Latin music in the United States, as the city became a pan-Latin melting pot of immigrants from across the Caribbean and South and Central America. They brought with them many styles of Cuban, Dominican, Colombian and Puerto Rican music. The result was a new style called salsa music, derived primarily from Cuban and Puerto Rican styles in the early 1970s.
The 1970s also saw the evolution of hip hop in New York City. Hip hop was a cultural movement that included music as an integral part. Hip hop music developed out of block parties in The Bronx, where DJs isolated the percussion breaks of popular funk and disco songs, and MCs began rapping over the beats. By the end of the decade, hip hop had spread across the country and was beginning its march across the world. New York City was still the center for popular recorded hip hop, especially a style called East Coast hip hop. In the early 1990s, however, hip hop from the West Coast and elsewhere gain in popularity.
In the late 1990s and early 2000s, a number of bands from New York City were and are prominent in the garage rock and post-punk revivals that are considered a part of the increasingly popular indie rock scene. These include The Strokes, Yeah Yeah Yeahs, Ben Kweller, Grizzly Bear, Vampire Weekend, We Are Scientists, The Bravery, Liars, TV on the Radio, The Cloud Room, MGMT and Interpol.
Read more about this topic: Music Of New York
Famous quotes containing the words york city, york and/or city:
“The rumor of a great city goes out beyond its borders, to all the latitudes of the known earth. The city becomes an emblem in remote minds; apart from the tangible export of goods and men, it exerts its cultural instrumentality in a thousand phases.”
—In New York City, U.S. public relief program (1935-1943)
“To deny the need for comprehensive child care policies is to deny a reality—that there’s been a revolution in American life. Grandma doesn’t live next door anymore, Mom doesn’t work just because she’d like a few bucks for the sugar bowl.”
—Editorial, The New York Times (September 6, 1983)
“San Francisco is where gay fantasies come true, and the problem the city presents is whether, after all, we wanted these particular dreams to be fulfilled—or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which, vivid and continuous, they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed?”
—Edmund White (b. 1940)