Popular Music and Modern Styles
The steel band tradition is common to many Caribbean, and especially Lesser Antillean, islands. The Montserratian tradition began in 1949 in Ryner's Village and Kinsale, and was prominent enough by the following year to be played at the Empire Day celebrations. Despite some criticism that the music was degrading for children, steel bands have become a major part of the island's musical heritage.
Calypso is an originally Trinidadian style of music that has since spread across the world. In recent years it has become a major part of Montserratian music, with the rise of Alphonsus "Arrow" Cassell, a soca artist who is internationally renowned. Calypso in Montserrat dates to the 1950s, and Justin "Hero" Cassell (Arrow's brother), who won the islands calypso competition thirteen times and became the Calypso King of the Organization of Eastern Caribbean States. In 2000, Sylvina "Khandie" Malone became the first female calypso monarch on Montserrat.
Read more about this topic: Music Of Montserrat
Famous quotes containing the words popular music, popular, music, modern and/or styles:
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“Kings govern by popular assemblies only when they cannot do without them.”
—Charles James Fox (17491806)
“All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it.”
—Jean Cocteau (18891963)
“The modern queer was invented by Tennessee Williams. Brando in blue jeans, sneakers, white T-shirt and leather jacket. When you saw that, you knew they were available.”
—Derek Jarman (b. 1942)
“For the introduction of a new kind of music must be shunned as imperiling the whole state; since styles of music are never disturbed without affecting the most important political institutions.”
—Plato (c. 427347 B.C.)