Pop Music
Largely unknown outside of Mongolia, there is a thriving popular music scene centred in the city of Ulaanbaatar. Actually, this is a mixture of various kinds of popular music. It is often subdivided into pop, Rock, hip hop and alternative (consisting of alternative rock and heavy metal). The pop scene includes boy bands like Camerton, Nomin Talst and Motive, girl groups like Kiwi, Emotion, 3 ohin and Lipstick and solo artists like Sarantuya, Serchmaa, Delgermörön, Bold, BX and the renowned Ariunaa, the alternative scene bands like Nisvanis, Night train and Lemons, the rock scene rock-n-roll like the Pilots and Soyol Erdene, folk rock like Altan Urag and hard rock bands like Kharanga, Hurd and Niciton, and there are also some techno bands like Khar Sarnai. A few of the younger Mongolian popular artists are becoming increasingly well established internationally, mostly notably, the young female singer Nominjin (singing in 8 languages in a variety of genres) and Amarkhuu Borkhuu, a star of the Russian pop music.
Hip hop/Rap has gained considerable popularity in Mongolia. From early 1990s, Mongolian teenagers and youngsters formed dancing groups with anywhere between three to thirty members that started to compete in national tournaments. This was the beginning of the Mongolian hip hop movement. For some reason single rappers had never “made it” into the Mongolian hip hop scene.
Early bands include Har Tas and MC Boys. The later two groups represented the beginning of rap in Mongolia. Their songs mostly stressed on social issues, philosophy and rebellious ideas. A later generation consisted of bands like Dain Ba Enkh, 2 Hüü, Erkh-Chölöö, Lumino, Mon-Ta-Rap, Ice Top, Odko, Gee, Quiza, B.A.T and URMC. They continued with similar messages as their predecessors, but also came to include “soft” touches in their songs, which faced with strong resistance from hard core rap fans but welcomed by the general public.
Read more about this topic: Music Of Mongolia
Famous quotes containing the words pop and/or music:
“There is no comparing the brutality and cynicism of todays pop culture with that of forty years ago: from High Noon to Robocop is a long descent.”
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