Music of Massachusetts - Alternative Rock

Alternative Rock

The earliest alternative rock bands in Massachusetts hailed from Boston and included Salem 66, Volcano Suns and Mission of Burma. Later bands from eastern Massachusetts included Pixies, Honest Bob and the Factory-to-Dealer Incentives, Morphine, Chip Goddard, Galaxie 500, Swirlies and the Pernice Brothers. Farther west, in Amherst, the dissolution of the legendary hardcore punk band Deep Wound spurred the foundation of future legends Sebadoh and Dinosaur Jr. from its ashes. Amherst and neighboring Northampton also spawned the Scud Mountain Boys, Buffalo Tom, Lo Fine, and Cordelia's Dad, the latter uniquely fusing Appalachian folk music with hardcore punk rock.

Other notable alternative music bands and musicians include:

  • Aerosmith
  • Amanda Palmer
  • Art Decade
  • Apollo Sunshine
  • A Rocket to the Moon
  • Bang Camaro
  • Big D & The Kids Table
  • Boston (band)
  • Boys Like Girls
  • Dick Dale
  • Dispatch
  • Dropkick Murphys
  • Drop Nineteens
  • Extreme
  • Eighth Route Army
  • Four Year Strong
  • Goat Boy
  • Godsmack
  • Guster
  • Hallelujah the Hills
  • Human Sexual Response
  • Ice Nine Kills
  • Jaya the Cat
  • Kicked in the Head
  • Killswitch Engage
  • Lemonheads, The
  • Lo Fine
  • Lyres
  • Mountain Interval
  • Passion Pit
  • Powerman 5000
  • Rob Zombie
  • Staind
  • State Radio
  • Street Dogs
  • The Acrobrats
  • The Dresden Dolls
  • The Ducky Boys
  • The Mighty Mighty Bosstones
  • The Neats
  • The Receiving End of Sirens
  • Therefore I Am
  • The Unband
  • Tracy Bonham
  • Tribe
  • Vanna
  • Who Shot Hollywood

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Famous quotes containing the words alternative and/or rock:

    Education must, then, be not only a transmission of culture but also a provider of alternative views of the world and a strengthener of the will to explore them.
    Jerome S. Bruner (20th century)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)